How To Make Chords In Different Positions (For Guitar)


How To Make Chords In Different Positions (For Guitar)
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HOW TO MAKE CHORDS 

 

For Downloading Guitar Pro Version Click Here
Gutar Pro Version
There Is Two Different View

View 1 : Chord = TRIAD + n1 + n2 + ….

View 2 : Chord = Root + 3x + 5x + n1 + n2 ravesho baadha takmil mikonam, vali besiar vaehe 

(Updated Below)  

how to make chords in diferent positions v02 - page 1 how to make chords in diferent positions v02 - page 2

HOW TO MAKE CHORDS

baraye anjam e inkar hamantor ke dar bala gheid shod, 2 raveshe koli (did) vujud darad , ke ghabl az , sharhe anha ,pish niaz haye in raveshha ra zekr mikonam :

 

1- Chords Formula : Formul e chordhara bayad balad bashim , lazem be zekr ast ke aslan niazi be hefz kardane formulha nist , ba kami deghat mitavan ghavanini koli ra dar in formulha bekar rafte shode ra yad begirim (sharhe mofasal dar blog e marbute)



2- Triad haye Barre
 ,(major minor , aug , dim) , Roothaye vabaste be sim 6,ya 5 va 4

 

3- favasel ruye saz : be nahvi ke , agar dar har sim, ya har fret , har note yee ra gereftim, baraye tamame fret haye baghimande ,((24*6)- 1) nesbate faseleye anhara b note marboote (maamulan be an root y rishe migooyeem) kamelan moshakhas bashad.

 

 

Lazem be zekr ast ke be dalile Tarahi e saz e Guitar ,(az har note dar makan haye mokhtalef , be teedade < 5 addad note vujud darad , lezza ,baraye ejrayeyek jomleyee ke shamele tanha chand note bashad ,100 ha rahe mokhtalef vujud darad , ke na tanha dar noe sounding , motefavet mibashand, balke in emkan ra faram mikonad ke ba technique haye namahdudi, har arrangement e khas, ejra shavad , (taakid mikonam , ke Guitarist ha baraye ,bala bordane tanavoe lahjeye khod, az yek jomleye sadeye 3 notee , 10 ha rahe mojud ra entekhab karde, va ba technique monaseb ,tamrin konand) , az in jahat , Dide bartar , dar guitar , bayad favaseli bashad na note i ,,,(mosalam e ke bayad , note haro perfectly balad bashim, ama bahse inja chize digarist) baraye mesal, agar fret e khasi ,(masalan, har frety ruye sim 6 ya 5 ,,entekhab shavad , nokteye haez e ahamit in ast ke, ma bedanim ,2 sim payeen tar ,haman fret , faseleye 7thm nesbat be fret e entekhbi ast bi anke hata bedanim note mabda chist ya note maghsad chist,, ya 2 fret jelo tar ruye sime payeen tar faseleye 5th P , va gheire …

har navazande,dar har sorat va sharayety byad nesbat be note hayee ke mizanad ya gharar ast bezanad ,kamelan nesbat be faseleye an agahi e kamel dashte bashad ,,dar vaghe , entekhabe yek note bayad bar mabnaye in vagheyat bashad ke baraye ijade hese ,khasi ke allan mikham ejra konam, che favaseli ro bayad , bezanam ,,,akidan taakid mikonam ke khode note ha, be tanhayee hich maanaye khasi nadarand,,dar vaghe hata frequency haye anha amry gharardadist (baraye mesal sazi ke ba khodash kook ast, tamame halat ra ijad mikonad , faghat serfe farze frequency e yek not = x baghiye faghat raayate nesbat va favasele an mibashad ,,maanaye note ha, hengami moshakhas mishavad ke nesbat , be note khase digary ke maamoolan TONIC ya ROOT (rishe) minamim, moshakhas mishavad ,,leza, gam hayee nazire G major , va E minor , va C lydian va A dorian , etc ,ba inke hamegy daraye note haye yeksani hastand (daraye key signature yeksan hastand), vali daraye ehsasate besiar motefavety hastand ,chon har note ,faghat hengami ehsase khasi ra baz mitabanad ke nesbat be TONIC e khasi che faseleyee dashte bashad ,baraye roshan shodane in mozu mesli ejtemayee mizanam

dar har gaam darajeye aval hokme Shah ra darad va darajeye 5 om an Hokme malake, va ,4 om hokme vazir ,…. va Dar nahayat darjeye dovom hokme payeen tarin rokne jame e ra dara mibashad ,,baraye mesal , jame’e e khasi ra dar nazar migirim (pish az enghelab e an va pas az enghelab e an) , baraye mesal dar game C major , note D , daraye kamtarin darajeye ahamiat mibashad , vali dar scale D dorian (ke daghighan haman aaza ra darand) D hokme shah (akhund) ra darad va be nesbat tamame note haye digar ra taaghire daraje midahad ,,leza dar jameyee ke dar an enghelabi soorat pazirofte ,aaza yeksan hastand,,vali be dalile taaghire noghate ghodrat , ghablan music azad bud, hala chopogheto chagh mikonan, ghablan azad budi ta har saaty birun bashi, baadan bayad shab shahr mesle shahre mordegan bashad va gheire (serfan mesal zadam)

agar tarkibe chand note ,ba zaman hye moshakhas , tarkibi gham angiz ast , ehsase an hich ertebaty be ,khode note ha nadarad, va tanha faseleye mojud e mabeine ,anha taeen konandeye an ehsas mibashad , leza agar bar farz faseleye an 1-5-4# bashad kafist nesbat be har noty ke khastim hamin favasel ra ejra konim va hamvare haman ehsas ra khahad dasht

baraye anjame in mohem (danestane , favasel be surate shekli) mitavanid, az yek scale pentatonic (pakhsh dar tamame daste ya 2 form e an) bahre begirid,, in scale, be ellate khalvat budan (tanha 5 note darad) , be rahaty hefz mishvad, va kafist ke bedanim nim parde , baade faseleye haftom e koochak faseleye haftom e bozorg gharar darad , va nim parde ghable ,an 6 om bozorg, leza, be rahaty dar position e marbute , kole favasel ra midanim

baraye, inke dar tule kole daste in mohem ra anjam dahim mitavanid az technique zir bahre begirid :kafist 2 scale e pentatonic, ra hefz konid yeki root an vabaste be sime 6 om (E Form) va digary root e an vabaste be sime 5 om (A- Form) , baraye mesal scale Am pentatonic , dar ruye sim e ke dar position e V (yani fret haye 5 ta 8 gharar darad , va tabaan octave an , mabeine 17 ta 20 ((5,8)+12) , scale A forme an, mabeine ,fret haye 12 ta 15 gharar darand ,agar in 2 ra balad bashim, az bordere e kenrye samte raste , scale B (A-form) va ,karane samte chape octave e ,scale A (E Form), mitavan, scale e jadidi, mabeine in 2

tashkil dad ke mabeine fret haye 3-1 ta 5+1 gharar darand , hamchenin az fazaye mabeine A va B acal digary ke D minamam , be dast miayad ke mabeine 8-1 , 12+1 gharar darad ke mitavanad yek position e 5 fret i ya 2 position e koochak bashad hamchenin ba dar nazar gereftane octave haye in , scale ha, kole 24 fret ra darim (scale B mabeine , 0 ta 3 , octave ghablie C mabeine 2 ta 6 , va A mabeine 5 ta 8 D 8 ta 12 va octave tamame inha mojadadan tekrar khahad shod)

nesbate digary ke hamvare mitavan bekar bord, in vagheyat e ke in note ha va betab’e favasel e montaseb be una har 5 fret ruye sime mojaver tekrar mishe (agar balatar bashe , jelo tar tekrar mishe va agar paeen tar bashe , aghab tar ,,albate har faseleyee ke az beine sime 3 o 2 rad beshe , bedalile 4 fret i budane in ghanun shekle un, dar maghsad nim parde be jelo taaghir mikone.,,,,

hal ke in 3 pish niaz o bar avorde kardim , be baresie ravesh ha va technique haye marbute mipardazim (mesal ha be surate , shomareye mizan , dar page haye payeen avorde mishan ke tataboghe tasviri mojud bashe)

Raveshe Aval :

Pre Caution

View 1 , ke umaman be kar mire, loozooman hamvare , behtarin rah nist, gahi ba , bekar bordane 

View 2 , mitunim, dar yek ster , be hamun natijeyee beresim ke ba view 1, dar 5 marhale residim, 
pas khahesham ine ke , be har 2 ravesh deghat konid ,

II.hamvare bekhater besparid ke agar hata roozi 5 saat , be moddate 10 saal, dar hale sakhtane form haye motefavet az chord ha bashid, motmaen bashid, ke unja daghighan jelo e cheshmetun, untor ke ,sade tarin amre donya bashe , form hayee vujud daran ke , hargez, be zehnetun khutur nemikone,, dalilesh, sade negarye va dar nazar nagereftane in amr ke tedade tarkibat e momken va jaygasht ha binahayat ziade , va asla va abada omre ma kefayat bara residane be unharo nemide,, dar zemn farz e man bar ine ke chord haye sakhte shode faghat , closed form bashand ke ba yek dast (left hand) gerefte mishan, in jaygasht ha binahayatan ,,,vali agar , open position haro ke ba tarkibe 2 dast va tapping , mishe sakht binahayat ziad hastan

iii.bayad hengame sakhte chord be amali budane un az nazare fingering tavajoh konid, valagheir, chord hayeeke ghabele ejra nistand be che dard mikhoran ???

iv. be nzare man bala tarin technique (che az nazare sakhty che az nazare zibayee va erza e hessi) technique e chord melody va chord improvising e

(aksare mardom tamrin mikonan ke cheghadar saritar (hamzaman ke karo kasif tar) mitunan ye line e melody ro ejra konan,,dar chord improvising, chandin khate melody e joda darim ke har koodoom vabaste be sharayete hesi ee ke ,unham tabe e elme khase khodeshe ke knowledge base e khodesho mitalabe va coding e khasi ke baraye ehsase khase X (ke bar farze mesal, ba in halo hava mikhaym callesh konim : kamelan bedahe) , ghavanini vujud dare ke agar hala man mikham in ehsase X ro ijad konam, bar farz bayad chordi ro ke ba in chorde feli , faseleye 4 om dare ro be soorate maj9 (#11) bezanam , pas dar lahze tasmim gerefte mishe ke, che chordi zade beshe ,, ama masaele digeyee ham dakhil hastand, be onvane mesal, bara soundinge behtar va raayate Voicing va taabeiyat az ghavanine vasle chord ha, in chorde khase faseleye 4 om dar be soorate maj 9 (#11) az beine 100 jur tarkibe momkeni ke dare , che tarkibi ro , man bayad bekar bebaram ke, ham vaslam ziba seda bede va ham emkanate baadie , parvareshe ehsasi ro faraham kone ,,,deghat konid, man inja az IMPROVISATION E mahz sohbat mikonam,, yani ejraye ghate hayee binhayat ghavi ,vali dar ghalebe , zamane hal, bi unke hargez ghablan zade shode bashe, ya inke badan hargez zade she
in maharat, tanha maharaty e ke agar ye musician behesh resid, ta lahzeye marg emkane , jodayee az sazesho nakhahad dasht ,

baghiye , hamuntor ke khodeshun khub midunan, chand sabahi mizanan ta esmi kasb konan,,baad dige angizeyee nemimune, va saalhaye sal hich pishrafty nemikonan chon hich tamrini nemikonan , hich tamrini nemikonan, chon aslan chera bayad bokonan ?? che angizeyee hast, be in mored man migam afsordegye sazi ,,va kamelan natural e,be in ellat ke ma nemitunim be halate khod jushie , kamel beresim ke, un lezzate vagheyee music, e,,hayajani ke dar ,bi nghshe faghat tabe e ehsas o maaloomatet bashi, chizie ke ba hich ,kalameyee ghabele bayan nist shayad begam orgasem daemi , shabihe un bashe

be har haal ,baraye residane be in mohem, ,sharty ke vujud dare perfection e ,,hameye mavarede bala ke goftam , dar sadome saniye bayad dooneste mohasebe, va ejra beshe ,,pas harfi ro mizanam ke bedune in ozihat , shayad sakht girie ye moaleme pire harmony , dr nazar jelve kone (hengami ke nemifahmimesh) : MUSIC 2 TA NOMRE DARE 0 YA 20 ,, be in dalil ke ,amalan emkane karborde 0 ta 19 nist,, pas 0 an,, tanha , hengami ke 20 va perfection hasel beshe , unam dar tamame bakhshha, shoma ghader be anjam e chenin kary khahid bud, albate be vos e , knowledge basetun va inke che mavaredi ro daeman yad begirid va unja upload konid ,,pas inke dar 1 saniye , chordo besazid, ya dar sadome saniye in 2 ba ham fargh daran ,,(balaye yek saniye ro hesab nakonid)

A REAL CAUTION ALL MUST KNOW


About Musical depresson ( natural thing that ,encounter us Whle we dont know some thing)

Dar akhar e pre cautionam, mikham masaleyee besiar mohem o begam ,ke be nazare man zarurat dare azash agah bashim : kessayee ke ba afsordegye sazi, taraf hastand (99%) va sal be sal, magar bara kasbe dar amad ya,,be sazeshun vaghty tanhaan moraje e nemikonan (che tamrin VA MOHEM TAR ERZA E ROOHI) bedunan, ke in halat halaty tabiee e , va agar docharesh nashi , ajibe ,,,, 

bara inke harfamo, vazeh tar begam mesali mizanam,,, aksare adamayee ke emrooz mibinim na be ellate niazi madar zady , ke unharo , mesle hava be music mohtaj mikone, be saz ruy nayovordan, angize hayee cheap i , mesle ,shohrat, ,shodan eyne un ahmaghi ke tu mahvarast ,, matrah shodan,,dokhtar bazi , va nazaerehom, shomro vadar mikonan ta tu in rahe sakht ghadam bezarin,,, va hich koodoom az inha ke goftam aslan angizeye yek saat , tamrin baade ,residan be un darajeye khaso nemide,

be saz zadan be music (ke moteasef bash ke toyee ke miri jelo ayne ,vai misty saz mizani,, hargez aya fekr kardy music ba goosh dark mishe va , jash cheshmato bebandi va deghate bishtary ro nesare , gushat (cpu t) koni ? ta taze befahmi cheghadar , kasif o part o mozakhraf mizani ?? va ham toyee ke vaghean , az feshare zatet umady tu in rah , har 2 in mozu ro bedunid : music zadan be shiveyee abadi va nabeghe shodan dar un, mesle , Asheghe , ye prance e vagheyee, shahzadeye foghe ziba va ba mahasen e nagoftani shodane ke , az kafash gerefte ta baghalo amirzade, hame arezooye dashtane un doxtar ro daran,,, ama doxtarak sharte ajibi dare,, be xastegaranesh mige, berid az poshte ,17 ta kooh ke ba hezar joor haula , va mokafat taraf mishid, folan chizo baram biarid ke har ki inkaro kard man male un khaham bud ,,,

va vaghean ham sare gholesh khahad bud,,tanha kessani ke betunan tasvire eshgheshuno dar teye , in masir e tulani ,nigar daran, mitunan angizeye lazem bara edame dadano , dashte bashan,,, inke ma agah bashim, afsordegy , natural e, va tabe e sharayety e ke ma hargez nemitunim rahi, vagheyee az delemun be dastemun ijad konim,ke dar lahze khaleghe ,chizayee bashi ke az bache o bozorg pirezano, pire mard, ro be divar mikhkoob kone,,, karayee az in dast,, in khasiate ajibo, daran ke agar che music e khub umaman, az dide mardome ahmagh ,chize gush kharashi be gush mirese,,,dar khod jushi e kamel, in khasiat gheibe,,zaheran az ghalbet sohbat mikoni va in zaban ro har kas balade

be har hal, man in mozu ro inja matrah kardam,chon iman daram zamani ke man, dargire in noe bi angizegy shodam, har chand lahzeyee ya tulani,,agar az in matlab agahi dashtam ke zadeye sharayety tabiee, va zemnan rahe hali dare be esme PERFeCTION ,bikhod saramo be divar nemikoobidam

hatman morde ziro besiar tajrobe kardid,, ye ghate e classic, (ya har chiz e digary) ro ishnavid va moohatun sikh mishe , bekhodet migy wow, agar ino bezanam , che hali bokonam ,,,miri ba zogh mashghul mishi,,zdane ghatate digaran , bekhosus classic (be ellate shebahat be chord melody) toro dargire ravandi mikone , ke kamelan , mechanical mishi,,chon harekat dar in noe music besiar sakht tar a, har soraate khatye , nachary ba 100 dafe zadane ghat e dar vahed haye kheili koochooloo, va inghadar tamrin kardan ke jesmet khodeh bezane ,,,agarkessi hast ke koochektarin lezzaty borde bege ,,man harchi didam che dar khodam che dar digaran , in bude ke avalesh zogh mikoni , ke che hali bede , ama hoselato sar mibare , va haletam migire , U Know Why ? hich khalaghiaty nist , kharhamalie mahze,, mele tamine ine ke 6 ta toopo tu hava nigar dary beraghsuni, a naare arzesh ,hich farghi nadarand

RAVESH :


view 1 mige ,bara gereftane har chordi , ebteda, triade unro begir, va baad favasele morede niaz ro ezafe kon ,,tabaan hengam e ezafe kardan chizi ro az dast midim,, dar barre ha maamulan in 3 note , root 3 bar tekrar dare,, va 5th 2 bar va 3vom maamulan, 1 bar ,,, momkene ma ba hazfe darajeyee be surate delkhah movajeh shim, ama agar tedade note ha bala raft bayad be fekre taamine darajate morede niazemun bashim, dar un surat tosiye e man ine ke , az view 2 estefade konid

ama che tafavoty in 2 did daran , ro ba ye mesal, tozih midam ,,,

baraye sakhtane , chord e 9 ba view e 1 , marahele ziro tey mikonim , 1, ebteda , chord e 7 ro misazim ,2 sepas, faseleye 9 th ro be triad i ke aknoon 7 shode ezafe mikonim ,3 teye in process tanha faseleye 3vomemun ro az dast midim , va baraye jobranesh be vaaziate chord deghat mikonim 4, dar chorde morede nazar 2 ta fasele 5th hast , va mohasebe mikonim ke agar 5 om balayee ro be 3vom taaghir bedim emkane gereftan e chord va amali budane un mohayast, dar suraty ke baraye payeeni , position ro besiar bozorg mikone ,,pas 5th balayee ro be 3rd taaghir midim , 5. dar enteha shekle chorde morede nazar , besiar taaghir karde, va angosht gozary e anra ,mohasebe mikonim

dar hali ke agar va view 2, be in maana ke har faseleyee ra ke mihahim add konim , tanha ba yek marhale chord ra sakhteim

(mesal mizane 29 Rm9)

nokte: az anja ke saz e guitar sazi hamgen ast , bedin maani ke , tamame note haye an be surate yeksani hastand va note haye # ya b dar , mesle piano ,shekle motefavety nadarand,, leza, agar ma chordy ro ,besazim ke, be open string ha vabastegy nadashte bashe , chorde ma MOVEABLE e be in maani ke kole sheklo mitunim be har ja bebarim va nesbat be esme root un chord sakhte shodast ,,, ama man 2 ta ghanun, ham dar sakhte chordam bekar mibaram, ke az open string ha estefade mikone, be dalile resonance behtar sim haye tulani

IF Root [Or Even 3x 5x for invertion] E {E,A,D} then I’m Using Open Strings 6,5,4

If [3x,5x,n1,...]E{D,G,B,E} then i’m using open strings 4 to 1

agar esme chordy ro betore khas dadam (masalan A 11) hatman az in 2 ghanun estefade kardam valagheir dar surate movable budane chord ham , az R estefade mikonam


POST SCRIPT

While I’m a super fan of classial music , I hate The way of teaching music , to the others (in Classical approach),its completely bullshit :

har moghe mikhastam ke ye keyboardiste khafan , baraye karaye prog rock am ke be khatere genereshun, hich technique tarin, musici hast ke man didam ke daraye in khasiate ke baraye ejraye ,ajahayeesh , chenan bayad , daghigh bashi, ke taarife avalie ee ke man az rock musician ha dar bachgy shenidam ro tadayee mikone : unha dar sathi az agahi hastand ke dar hengame ejra, hata esme khodeshuno nemidunan chon tamame manabe e unha bara ejra e kare sakhty ke , az har jahat , bekhosus timing haye ajib gharib, 17/16 belafasl 11/8 , 2 mizan 9/8 5/10 va in time moodanesh , tamame manabe e maro migire va in noyee rahayee e ke bayad hes kard hata shenavande ha ham, hes mikonan agar daghigh bashan,,,

lezza chon drar lahazaty ma marze high technicaly ro rad mikonim,, tabaan bara un lahazat , navazande haye ghadar mikhahim ke alagheyee be pool o fahme mardom nadashte bashan, ama music maniac bashan,,,hamishe mispordam, ke tarjihe man bara keyboardist ke ozve aslie , bara man, hata man khodam ham arezum :oghdam: va tasvire zehnim in bude ke keyboard mizanam ,albate mizanam ama ye high tech 2 ta ya 3 ta niaz dashtam)

vaghty in adama miumadan, hala avali ro migoftam doxtare, ba kotak o class rafte sare classe piano ke , bege man pianoooo mizanam ) ama 2vomi 3vomi, va az ina begzarim ina bachegiam bud,, vaghty khodam tarze tadrise clasashuno mibinam o mishnasam, chizi mibinam nabakhshudani (dar ravesh na asatide aziz , ke sarvaran e manan)

man mididam, taraf , ye arpegio ro tu 7 octave eyne jaroo zarfe 2 aniye ba sorate bargh mizane ,,pas sade tarin entezaram, (mesle inke az ye doctor beporsi baade harfe A , chie ? b ?) ineke, begam, ye chorde sade ro masalan begir dar hade masalan Am (mesal mizanam),,taraf bar migarde, mige man nemidunam Am aslan yani chi ,,,bara man notesho benevis :O mn mizanam ,,, wow , agar mikhastam inkaro bokonam ke computeram va mojahaz tarin studio e donya tu otaghame be to che niazi daram,, man mikham, sade tarin etelaato bedam, bad az hushet estefade konam va 500 jur variation begiram , va agar to az unche ke man neveshtam behtar budi, azash estefade konam ,,,, mane ahang saz,, ke dr harja, note by note, taeen mikonam, va engar ke ayast ,,,dar kare prog barax, aslan, joz theme , va kessi ke be komak e digaran as high as posible,mipare va mire un bala material miare hich kary digeyee nadaram,,kare progressive yani jamming,,agar esme ahang saz bezaran, esme hame hast ,, chon yani jaye ,ye fekr, chandin fekr , estefade mishe,, ,,ham ta hadi ke hata bara karaye sakht (in studio) , va maghul, In live, keyboard , mizanam ke be toe dictate lazem niazi nadashte basham,,,,

shiveye tadris, dar classic, eftezahe ,,, unja beto yad midan ke to hichi nisty , aslan be hesab nemiay,,ye sery , ke zaheran adam nistan, ye sery ghate sakhtan, va to faghat yad migiri ke bezanishun,,bekhunishun va bezanishun bi unke, koochektarin etelaaty dashte bashi ke chi dre etefagh miofte

man dar tamame omram, na inke begam dar kare cover va yadgiri az digaran ghusur kardam ke nakardam,, ba didane note be ghavaninesh pey bordam,,gahi ham, bi khata va ba kamtarin zamane momken, vahshiane tarin ,lahje haro, serfan ba gush, dar avordam ,ke bezanam ,,, ama 99% zendegye man,, az hamun 6 salegy ke ba soot zadan, ahang misakhtam ke bozorg shodam karaye sangin tar mesle arrangement o harmonization ro rushun anjam bedam , ta be hal,,,mardomani ke , hamvare az shenidane , ahanghaye fogholade gharibe va aslan bishebahat be kare digaran,,dige khaste shodan az inke beporsan in kare kie, va man tekrar konam ke man har che mizanam, hame va hame, karaye khodame,,na allan, vaghty niniee bish nabudam ,,,music hobye mane,, bar khalafe tasavore digaran ke karame,,asla va abada intor nist ,, delam mikhad bashe ama dar sharayete adelane , va unam music e hesabi ,,mayee e ke man bara in mozu mizaram dar hade mayee e ke bara hich chi, ke bara digaran asli tasavor nemishe hata ghabele ghias nist,,, 

man hargez etelaee nadaram ke e lebasam soorakh shode ehyanan , vali million ha poole software midam ke dar kare musicam,va reshteye marbut be un, be karam miad ,,, ghasdo gharazam, ine ke, baazia, migan to akhe folani hasty va karet ine,,,, na na ,,inke ghool haye in mamlekat shagerdane man budan (dar rock)hich be man ertebty nadare ke joz concert haye kheili khususi, 1 doone ejra ham nadashtam,,, va zamani ke 8 sal modavem kare band i mikardim o ,ahangsazi e modavem va 14 ta album ro write shode darim ,,tarikhesh male mogheye ke saz mididan mishkoondan 65 ta 74,,va yani hoby e mahz baz ham

ya kary ro anjam nade ya midi perfect anjam bede ,,man ba concert mokhalef nistam,,agar che dar sharayete zalemane professional jamaat mage divanast ke biad bebine , akharesh – x toman roozi zarar dade ,,, va un moghe , (man hata az shohratam gorizanam) ,ke concert middan chapo rast,man az in daneshgah be un daneshgah dar peye dars khundan dar reshte haye engineering computer budam ke hich gah be vazi naoftam ke befrusham honaramo

ama ,chize mohemi ke man mikonam, va az asatidi ke khod azashun bar miad , khahesh daram ke bokonan ,, ine ke music dars bedan na saz,,, na navazandegye ghate e digaran,,, man migam hata technique be in mipardaze ke, chegune bezanim,,ama aya ghable un in matrah nist ke CHIO CHEGUNE

rooze avali ke kessi miad darse man intervalast,, kamtar az 1% kole vaghte amoozeshim, be , pas dadne ghat ast ,in kessio musician nemikone ,,man az behdasht e jesmi migam ke chetor tamrin koni, dastet sadame nabine ta masaele marbut be FX processing va effect sazi, va har unche ke begam , ta ye sale aval, faghat ine ke, chi yad begiri ke building block e, music e khodet bashe,,intor, faghat intor mituni, be erza e roohi beresi,,inke hameye ma adamim, va hich farghi ba nabeghe ha az nazare basic nadarim,,joz inke dar classamun nagan una abar basharand va kare ma taghlid bedune doonestane mahiate une ,,,man inghadar dars midam ke ba joraat betunam asare sangini ro analyse konam va begam ke, ahangsaze morede nazar inja chi fekr karde va az tarkibe che danestehayee, ke to ham miduni, (va agar perfect bud, hargez niaz nadasht man beto begam khod mifahmidi) inharo sakhte ,,

hata baazi az ahangam, esmaye ajibi dran mesle XV = 15 ,,ye mesale clasi bud avalesh ke man faghat ba 2 ta addade 1 va 5 , ye ahang misazam ,,,va ghasam mikhoram ke dar zibayee hich kam nadare va , riazi ham nist,, mitune ba hamun ghavanin, tamame donya 15 e khodeshuno benevisan ke hich shebahaty be ham nadaran,,,va albate drajeye zibayee , va meghdare un, nubugh budanesh , va hameye in prameter ha, be paki e tarafe sazande,,parhiz az dooroogh va ensaniatesh dare (na az boed e akhlaghi balke kamelan masale shebhe phisical, vaenergetical e)

agar az perfection harf mizanam, bara ine ke faghat dar un surat , mitunid ghavanini ro ke midunid, dar hadi tarkib konid ke, azash kar biad birun ,,, hameye anche ezafat bud joz dars,ke man maamulan darse darsha minamam,,faghat yek gharaz dasht : ta zamani ke jadeyee az delet be dastet baz nakoni vel maatali ,,music chizi, mojeze asa nadare behet bede,v hamin adami khahi bud ke hasty ,khaste daghun kineyee, hasud, nazok narengy, dooroghgu ,dar yek kalam kesafate mahz,,miduni why ?chon chizi ndary ke tasfiat kone, tekani azim barat biare,,chizi ke, behet neshun bede azemate donya bish az une ke ma in ehsasato ja bedim ke bian,

va tabaan , ye rock stare maaroofe doxtar baz e millioner tahete ,,ama unche ke man migam,, momkene montahi she be inke , hich ja nazani joz dar khalvatet va ya ba adamayee ke saalahiat daran,hich kas nashnasatet ,, agar ba kessy salha doost bashi, ke musiciane hargez nafahmin ke hastin,,,u know chon chizi balatar az uni ke migiri nist va jayee bara chizaye jelf nist ,,chetor mituni un ebadato bokoni, hamzaman , betuni ,az ehsase ghurur, ya inke mishnasanet, ya morede tavajoh e jiji ha gharar gereftanet , hali begiri,,, hameye unha miran tahe fazelab,,,

va ta vaghty un heso nakardy ,mitarsi ke agha nakhastim, chon ba ehsasate cheap, ashna hasty ama natars payamade sh, kenare giri az donya nist enzeva nist ,, bartary e vagheyee va ehsase soosk budanie ke miarze hes koni ,, in ehsas toro dar khate yadgiri nigar midare,,va vay be hale ma, bijanbehaye ke dar in mamlekat ba budane in hame pache khare , bisavad, bavaremun mishe ke ,,,, hastim shayad roozi dir motevajeh shim ke hichi ham nistim ,,,va energy baraye jobranesh nadarim pas rahe ,sarkoobe har unche ro dar pish migirim ke ino be ma yad avary kone ,,,

agar inja miay,,har kesy hasty,,agar az pishkesvatan va bozorgtare man hastid ke gostakhie mano nashnide begirid ,ama agar umady yad begiri bedun kamaramo mizaram ke yeki faghat yeki , dar in salhaye ahary ke, tadris mikonam,(baade un tarjih midam faghat ru ye nabeghe kar konam),,daneshamo umuman dar ekhtiar bezaram,ama age umady be, in zahmaty ke man keshidam, hagh nadary estefade koni magar inke perfection ro , dar unha , bedast biary


movafagh bashid

(Will be Continued)

sorry chon man in blog haro dar favasele mabeine bikarim minivisam, va ba soraaty taghriban barabar ba , harf zadane aheste , 2 ta nokte hast ke az in babat poozesh mikham : nemiresam vaghean yek bar dige bekhunam, emkan dare be ellate , tafavote soraat , jaye ajza e jomle avaz she ,,vali mored, (nakhanayee) vaghean in nist agar kami deghat konid,mibinid ke man az jomalate tulani besiar estefade mikonam ke fele unha, dar faseleyee besiar door avarde mishe,,leza khundanesho kami sakht mikone, va morede dovom inke, kalameye maghable parantez mostaghiman vasl mishe be, baade parantez, va az in heis, momkene besiar gij konande bashe ,,,,

morede dovom, inke be ellate ziad budane mataleb vaghean vaght nemikonam, ke yekja benevisam va gahi baade mahha , blog haro update mikonam, agar matlabe morede nazar baratun jalebe ,baadha be title updated deghat konid
har unche ke man inja minivisam shiveye shakhsie man dar erae matalebe ke shakhsan, bedune, hich pish zamineyee,va amoozeshi behesh residam, leza, agar che hadafe man, anjame kare farhangie ke afrade jame am ro az faghre ,danesh ta hade tavanam, nejat bedam, vali ejazeyee ke baraye estefade az in mataleb , midam faghat amoozeshe shakhsi ,e va be hich sooraty, haghe chap, ya estefade az mataleb ro be kessy nemidam (agar dar iran kessi be hagh ehteram bezare) anyway, dalilam chap dar ketabhaye khodame ke inkar anjam khahad shod, ( 9 volume Book + Dvd :Sound sample and video sample)

THIS EDITOR FUCKED UP ALL OF MY PARAGRAPHS < I EDIT THIS IN A STANDARD HTML EDITOR < BUT WHEN I IMPORT ALL THE SETTING WA F**** UP <SORRY FOR THAT,NOW IT WONT ALLOW ME TO EDIT< (IT WONT WORK AT ALL)

BY:hamid reza edalat nejad

An Audio/Note Sheet Example For Moving Bass (without solo version to View Harmonic Context Movements better)


honey - page 1

ALL the Text  Musics , Examples , Are Created ,Or Composed  And Recordedby Hamid Reza edalat nejad

never use it by any means,than learning subjects

http://dl.dropbox.com/u/48780094/Hymn%20To%20spirit%20%28Ionian%29%20Aka%20Honey%20musical%20theme%29-.mp3

 

If The Media player ,Wont Start ,to play the song , use IE9 as your browser.(chrome ,will not play ,for security reasons)

Ascending Chromatic Movement Using Dim chords and Alterd chords


Ascending Chromatic Movement Using Dim

chords and Alterd chords/up1

up2 brings some secondary dominant usage for the same purpose , also ,you may want to reasearch about using dim chords for descending movements of harmonics if you want a good resource you may ,transcribe the TOTO: Angela Chorus part , or use mine trascribtion for that

resolving one step higher using dim chord.harmonized - page 1acs srch12_1[4]

 


Agar Media Player In file ro ejra nakard,anra download va be mid rename (extension) konid

Download Guitar Pro Versionable to DAR SURATY KE BA INTERNET EXPLORER 9 BAZ SHAVAD AZ SHOMA MIPORSAD PLAY ? YES BEZANID TA ANRA BESHNAVID
http://judahhimango.com/FlashAudioPlayer/player.swf  Download this Media File – (Right Click)

 

 

Chromatic Resolution

 

Chromatic Ascending Movement In Bass

Using Dim Chords:

Precaution : lotfan har che zood tar dar jahate taghviate zabane englishe khod ke zabane binahayat mohemi bara ertebatate fara-marzi ( serfe ensan budan),va hamchenin standardi baraye tabadole etelaat va fara girie elm taghviat konid ,in blog ha az akharin neveshtehaye man be surate pingilish khahad bud ; zemnan man yek raveshe alli bara tanbalane gerami ( ya behtar begam kessani ke kary ro anjam nemidan mage be un alaghe dashte bashan ya azash lezzat bebaran dar zamineye yad girie zaban , daram, raveshe hooshmandaneyee ke khodam bekar bordam va besiar ali javab dade : va amma class e zaban , hargez, hargez,,hata yek saat ,,un bara khengulayee e ke hamishe har karo ba sakht tarin ravesh anjam midan.

Approach 1 : Using Dim Chords

bara estefade az hale ( resolution) zekr shode , 2 ravesh maamulan bekar mire ke hamuntor ke analyse khahim kard tafavote zarif e mabeine in 2 ravesh ro motevajeh mishin.

Nokte:dar nazare aval , in hal, momkene kheili Classical sounding benazar biad , vali in kamelan be hooshmandi va dastkarye parameter haye dige bastegy dare ke aslan classic seda nade, vahata shoma natunin , az lahaze gushi shenasayee konin ,ke hale balaravandeye chromatic e ( dar sooraty ke gooshetun kamelan ba in resolution : va cadence ha ashnayee e kamel dashte bashe , in parameter ha, mitunan shamele orchestration, tempo ,Style,Rythemic parameters ,,, etc bashan , yeki az behtarin mesalhayee ke daram ( pop seda mide) , Sting – 7 Days main Chorus

baraye mesal farz mikonim ke dar scale Am ( A minor or A natural Minor) hastim , va ghasde harekate balaravande az darajeye VI be I ( VIII) ro darim , Vazehe ke chordhaye ( 3 sounding Triads) mojud dar Am Scale be tartibe Ziran
{Am,Bdim,C,Dm,Em,F,G}

dar in mesal ma mikhaym ba chand step az F Be Am Harekat konim va chord haro hal konim

tebghe unche bala behesh eshare shod , chordhaye mojud be soorate zir dar scale mojud mibashand

F – G – Am
VI -VII -VIII

baraye ejraeye in harekate chromatic mabeine har chord yek chorde diminished gharar midahim be tarighi ke half step balatar az root e chorde ghabli bashan

be onvane mesal :

F – F#dim – G – G#dim – Am

Analysing

agar chord haye miani ( Bridge) ro Dar nazar begirid , motevajeh mishin ke 2 note e moshtarak ba chorde ghablie khod darand, va faghat note Bass nim arde be samte bala , Harekat karde ( tavajoh konid )

F  = {F , A , C }

 

F#= {F#, A,C }

hamintor bara G Va G#dim 2 note moshtarak va note Bass Nim Parde Be bala Rise mikone

Trick :
Az Unjayee ke Chord Haye diminished sakhtemani darand ke mitavanand ( be onvane maakoos = inversion ) Har Kodoom az note haye tashkil dahandash , note e Root ( yani bar asase un namgozary she ) mahsoob shan ( ie : F#dim = A dim = Cdim ; in tasavi az nazare note haye tashkil dahande mibashad ), leza mitavan, az yek jaye zanjire pareshe faseleye 5 ya 3 anjam dad va baghiye e , Chordharo az unja ( besurate chromatic) edame bedin masalan az F#dim be Bdim (C#) va edameye zanjire ( dar payeen soloyee Az 0 omin Albumam (Age 14) Hast ke az hamin technique estefade shode) : 
( Hatman Bakhshe az koodoom jahanami in chizaro yad gerefty ro bekhunid)

Approach ii : By Using Altered Chords

 

 

What Is Altered Chord ?

ghable tozihe in bakhsh , lazeme ke tozihi mokhtasar dar bareye chord haye taaghir yafte ( altered chord ) Bedam.

estelahe altered chord maamulan be 2 maana bekar mire , ke agar che har do yeki hastand , vali baste be inke chord e morede nazar dar matne music bashad ya yek chord e tak , andaki tafavot darand 

Altered chord : dar maana yani yeki az darajehaye chord nim parde be bala ya payeen taaghir peida konad ( agar che maamulan in taaghir be suraty mibashad ke root e chord, taghir nakone,, ama man shakhsan loozoom va tafavoty beine in 2 noe nemibinam)

mesal haye zir Altered e yekdigar mibashand ( va belaks )

ie: R < ==== > Rm ( har 2 nesbat be ham)
Rm < ==== > Rdim
R Aug < ==== > R

Dar taabire Dovom, ( in musical Context ) Bishtar be in maani be kar miravad ke Dar Gam e Khasi chordi mojud ast ke hal ba dastkarye yeki az daragehaye an altered shode

masalan, dar scale Am Chord V = Em , va agar in chord be E Ya E7 ( 7 be onvane lubricant , tashil konandeye penetration : inghadkhub fek nakonin,,manzoor anal sex nist , ;) behar haal hal shodan chizi shabihe an mibashad) ke dar lahze ke in taaghir rokh midahad Scale A minor Harmonic mishavad ke dar music e gharbi maamulan in scale be surate lahzeyee mabeine tabdile minor scale be harmonic minor , az tarigh alter kardane chord e V az Darajeye 3 mishavad

alter chord ha estefade haye motenaveyee darand , dar inja dar hade moarefy kafi mibashad ( karbordhayee , nazire modulation , pivot chord baraye anjame modulation va gheire).

Approach II

Dar In ravesh mitavan be jaye chord haye miani ( ke dar raveshe aval dim budand) az chord be surate maakoose aval ( first Inv) estefade kard ke dar darajeye 3rd taaghir yafte,mibashand,,vazeh ast ke be dalile ozv nabudane note haye chromatic dar scale, loozooman, chord haye zekr shode az noe altered bashand.

baraye mesal , hamun harekat az VI To Viii Ro dar nazar migirim

F – D/F# – G – E/G# – Am

dar inja chord ha ba soale sadeye zir moshakhas mishavad ,
1. nim parde balaye f , F# ast
2,F# Faseleye 3rd e Che Chordist = D

mitavan soale 2 ra besoorate zir matrah kard ke faseleye 6th F# Chist va Be Chorde D miresim,,in 2 gozare tebghe ghavanine marbut be favasele maakoos hamarz hastand

Analysing :
Agar note haro be surate amoodi benevisam, motevajeh khahid shod ke har chorde miani , dar kenare harekate nim pardeyee dar Bass note , Yeki Az note hayash dar chorde ghabli baghimande dar halike note digarash , be chorde baadi taalogh darad

khabaloo shodam, baghiyasho teye emrooz farda tamum mikonam

BY Hamid Reza Edalat Nejad

Dynamic Processors


Dynamic Processors

(Compression ,Limiting,Gating,Expanding,…)

jz758h_thumb2 

What Is A Dynamic Processor :


Some defenitions:



Dynamic Procesors

dynamic processor ha guruhi az Fx ( fx = Audio Effect = Audio Plugin ,…) ha hastand ke ruye janbeye dynamic e seda pardazesh hayee anjam midan , va az mohem tarin va por karbord tarin guruh hayee fx ha hastand, az maaroof tarin unha, compressor, gate, noise gate ,expander , limiter ,autogate, etc mitunim nam bebarim

Note:

ye seda ya wave 2 parameter e asli dare , damane ( dynamic) va frequency ,,damane be surate bolandi e seda tavasote dastgahe shenavayee dark mishe , va frequency be onvane zir o bam i ya novak ,az miune amvaje electro magnetic, frequency hayee ke mabeine 20Hz-22.5 KHz bashan, tavasato gush be surate seda dark mishan ,,agar in frq balatar bere, tavasote pooste ma besurate garma ya amvaje hararaty dark shode va hamintor dar sathe balatar tavasote cheshm be surate noor dark mishan, va 5.5MHz amvaje Tv, va balatar , radio, mahvare, Xray va va, hamegy ekhtelaf dar frequency ( soraate navasane cyclic : tedad dar saniye = Hz) darand,harchand khavase phisical e binahayat motefavety daran

Wave Form :

unche ke ma be esme wave form mishnasim, dar vaghe , nama ya sheklie ke,sabte taaghirate damane bar hasbe zamane, va wave hayee ke ma ba yek frequency vali tanin haye mokhtalef mishnasim ( masalan farghe sedaye violin ba piano) tafavoteshun dar shekle moje unhast ke, albate, tarkibi az mojhaye sinusi ba damanehaye mokhtalef va harmonic haye mokhtalef az un frequency e asli va jaame jabrye in wave ha shekle nahayee ro mide ke gushe ma be soorate tanin dark mikone ,,az in babat ye sedaye complex ( mesle sedaye ,ye saz, ya ensan ,,,) serfan dar wave form, tafavot daran ,,amvaje dandaneyee ke hamchenan cyclic hastand,, be frequency e asli Compound Tone , va harmonic haye tashkil dahande ,Over tone migan ,,az in babat , vaghty gheid mishe yek picj up e khas balatarin overtone ro dare ( like dimarzio evolution) , mafhumesh ine ke tedade bishtary az in mojhaye sinusie ,sade ro mitune begire ke natijatan ,detail e seda, balatar khahad bud

Both Frequency And Dynamics Are

Logarithmic :

yeki az mavaredi ke alaghemandane be seda bayad dar nazar begiran, namayee budane har 2 meghdare frequency va dynamic ( bolandi, volume seda) e,, va hargez nabayad, ba maghadire khati ( linear) eshtebah gerefte beshan

bara mesal, agar 2 signal, dar yek lahze be 0dBvu ( 0 dB) beresand, mixe inha dar khuruji, +6db afzayeshe gain khahad dasht az inru ,

0db+0dB = +6dB <> 0db

( <> as nonequal sign)

va in addade +6db faghat vaghty sahihe ke ,variable ha 0 bashan, agar 2 signal -3dB ba ham jaam shan aslan be in maani nist ke majmueshun +3 beshe , balke adadde digeyee khahad bud

Example II


agar 0dB maximum sedaye mojaz ( az nazare bolandi) va -100db ro sookoot e motlagh farz konim ,va sedayee dar lahze ,0db volume dashte bashe, va ma bekhaim, hajme sedaro nesf konim , meghdare volume bayad -6db gain dashte bashe,,va aslan -50db sahih nist ,, hamchenin bara 1/4 kardane un -12db va 1/8 -18dB gain ,,va hameye ina vghty sadeghe ke signal dar un lahze, 0 dbVu (ya 0dbFs) bashe

albate bayad dar nazar begirid ke chon moteghayere damane daeman dar hale taaghire ma nacharim, meyaremun ro meghdar motevaset ya meghdar moaser begirim RMS ,na peak

daghighan mesle barghe shahry , ba voltmeter 250V neshun dade mishe, va unchenanke ma midunim 220V , tafavot serfan dar meghdar moasere, chon , ma ba ye moj tarafim ke saniye ee 50 bar az maximum meghdar be minimum, ( dar phase manfi maximum) va hamintor 100 bar az 0 rad mishe)

FRQUENCY

Dar morede frequency , mesal e malmoos tari mitunam bezanam,, age shoma ye electric guitar ro dide bashin ( manzoor guitary ke 2 octave dar tule fretboard dare : electric) , va man ezafe konam, ke frq yek simi ke beine 2 noghte keshide shode ba formule zir bayan mishe ( albate dar surate sathe maghtae yeknavakht : string e salem)

Frequency = tensin / lenght , or

F=T/L

frequency e octave ye note hamishe 2 barabare

Fn+1 = 2 Fn

az in jahat fret e 12 bayad daghighan tule simo 1/2 kone va be hamin dalil shoma mibinin ke tu octave e baadi fret ha hamintor koochiktar mishan , va agar octave baadi vujud dasht baz nesfe un yani 1/4 tule asli

2f=T/[(1/2)L]=Fo

motmaenan nemitunim 2f = 2t/l ro amalan

piade sazi konim, hich simi, 2 barabare tension ro na davum miare, baad ham bimaanie, tafavote note ha bayad az tafavote makan nashat begire ,ine ke nesbat ha hamishe dar makhraj be tul vared mishan mva bar asase un fret gozary mishe

be ebaraty az A2 ta A3 tafavot 220 ta 440 , vali bara A4 ta A5 tafavot az 1600 ta 3800

bezarin intori mesal bezanam ( aksare kessayee ke tu classaye man budan , midunan man mesal haye vaghih , va ya mortabet ba masaele senni e bache ha mizanam, dalilesh , gheir az bi adab budane shakhse man , bar in vagheyat ostovare ke , hich kas ye joke ro hefz nemikone ,, pas mitunid, ba khiale rahat begin taraf perverte e , ke ghasam mikhoram, binahayat kamtar az masum tarine shoma ;)
(in mesal dast garmie jelo tar sorx et mikonam, mohem nist class 16 ta doxtar tushan , una bishtar doost daran beleive me)

ye khiabune tulani jelo rutune va chi behesh migin Duff ?? , ok ,farz konim tule in khiabun 1Km dar 100 m aval hamintor chasbide be ham doxmalaye khoshgel kenare ham chasbidan ,,har chi az in fasele door mishim na tanha sibil mishan , balke har koodoom ba ham 50 m fasele daran , agar shoma bekhayn view i az in khiabun dashte bashin hatman logarithmic khahad bud . yani 50m aval miofte ru center va zoom mishe tu nahiye e ,100m aval , va ghesmate akharo kamelan , compress mikonin

in daghighan dalilie ke , vaghty shoma zire EQUALIZERETUN o nigah konid, scale bandish , be in tarighe ke vasat 500Hz va 1/4 akhare scale az 4khz ta 22khz ja dade shode ,,chon faravani va kesrate duff ha ( dar inja pakhsh va tozie amarye , frequency haye por karbord ,zire 2K )

agar spectrum analyser darin, ye wave analyse konin ( har chi) , ye bar linear bebinin , ye bar logarithmic,, kamelan mifahmin chi migam, ojelasho un aval chidan

An Advice For Guitarist (jump this if you

aint suppose to be an artist)

in chizi ke inja mikham begam, rabty be bahse

dynamic processor ha nadare, ama ba tavajoh

be matalebi ke dar morede frequency goftam,

nokteye kheili mohemi bara guitarist ha dare ,

ke 90% mabnash gofte shode , mitunid shoma

jump konin in title ro.

moteasefane ,90% guitar ha detune hastan va

mohem nist , ba tuner daghighan bar hasbe

cent tune shode bashan, irad az jaye digast ,ke

eshare mikonam,, hamuntor ke bala eshare

kardam, fret 12 bayad daghighan simo ,be 2

nim bokone, ta frequency e octave e open

string o bede ,dar aksare mavared, intor nist ,

va in yani har che az mabdae kook ( emrooze ba

tuner ,mabda sare dastast) door tar beshin,

mesle 2 khate zaviye dar ke dar tule makan

faselashun az ham, door tar mishe, detune

budane saz, vazeh tar e,,

hata agar ,unchenanke man didam, hamatun

kar bashin ,va azaresho hes nakonin , 2 ta

etefagh miofte ,,joda az chize tekrary va

khaste konandeyee ke mizanid ( vang vaaang

(vibrating) vana daaaaaaaaa didara rarararara),

nakhodagah , ham khodetun, sarian khaste

mishin ham shenavande ( age shenavandeyee

bashe,,emrooze, man bishtar e adamharo

binande midunam,,taraf ayne mizare jelo

khodesh heikale maloosesho ke moosh nakhore

did mizane,,ama hargez nemiad cheshesho

bebande va daghigh gush bede ke chetor seda

mide va chetor seda bayad ehsasesho hedayat

kone)

va ham khodetun, be sheddat khaste mishin

nemidunin chera,,migin labod, kam energy

hastin,,,albate ke hastin , kessi ke baraye

delesh bezane dar tanhayee mitune eyyy unam

na vir vir vir tamrinaye soraaty ke belakhare

ghesmaty az job e ma hastan manam kheili

doost daram, inghad tamrinayee bokonam ke

hich kasi natune kare mechanicale dastamo

bokone ,,bahsi nadaram,, ama age faghat

hengami saz mizanin , ke kessi hast , fatehatun

khundast shoma az nasle, mahvare , sex, va har

chizi namarbut be music hastin ,,, bara inke

nabashi aval bayad beduni

be har halo har shekl varede music nashim, tanzimi hast be esme saddle , wow kheili sakhte va achare khasi mikhad , bara kessayee ke noyee floating vibrato system daran ke under license floyd rose e,,arezu konin az compani tanzim bashe , va shoma hargez be in zahmat naoftin ke nazimesh konin ,, un bayad ba makanesh, kary kone ke har sim daghighan biofte 1/2 string lenght ta 2F = F octave ro bede

va test kardan ya tanzimesh ( unchenanke be tarighi foghe ablahane dar maghalaty didam ke harf az coolis o abzare andaze giri zadan , ke maskhare tarin joke ie ke man khundam , hargez be hich tarighi approache metric nadare,,) raveshe binahayat sade ine ke , natural harmonic e 12( NH.12) ham nahiye e vasiyee bara ejra dare,,ham faregh az makane va 100% frequency e 2 barabare open ro mide, ham tu hamun octave, va hata hamun sedaro mide ( bar khalafe baghiye natural harmonic ha)

moadeleyee ke bayad bargharar bashe ine ke NH12 = Fret 12 ( daghighan ba tuner , ya gush be rahaty tashkhis mide) ,,age bekhahim kheili hasas bashim NH24 = fret 24 mosalame age Nh>Fret bud ( zir tar bud) yani saddle bara jobran bayad be samte neck harekat kone

nokteye binahayat mohem :

man vaghty sazamo entekhab kardam, Jem , az rikhtesh badam miumad, meyaram pickup e ali , va tarahie daghighe un bud ( hargez chub ro naparastid ruh dar shomast in love e sazetun naoftin) ama haghighatan man in love e sazamam ,serfan chon hich sazi inghadar be man sound e clean e khub va tavanayee haye maharaty ke az zehnetunam nemigzare nemide ,string e 1 saddlesh ta enteha be jelo bud va test kardam didam vaveila , bayad koli bere jelo va shadidan detune , nazdik bud pas bioftam

ezafe konam, man ba raftare vahshianeyee ke nesbat be sazam daram va minimum roozi 5 saat baade 31 sal mizanam, khoshbakhtane, mavadi ke az badanam tarashoh mishe ,(+ vasvasam ke hargez az iran sim nemikharam, chon taghalobian) , tule omre sim besiar tu dastam balast , hata 3 salam begzare be hich vajh sime sedash dar nemiad , sali 2 bar kook daram, hengamike , damaye chiller ha ya garmayee roshan mishe ya sarmayee , chon dama besiar taaghir dahandast ,, va deghat konid, khaty taaghir mide, va shoma hanuz tune hastin, ba khodetun ,ama kole sim ha ba ham be yek nesbat bala ya payeen raftan
va mogheye record hatman check konid A=440Hz bashin ke moshkeli pish nayad

hamchenanke dashtam ghamo ghoseye nashi az az dast dadane sazamo mikardam, be sheddat be fekre in ghanun budam, yadam oftad , ye chizio man , nadide gereftam,,yadam oftad tu phisic vaghty ghanune f=t/l ro dars midadan, az lahaze riazi pish shartesh in bud ke farz shavad , sathe maghtae nakh ya sim, dar tule an sabet va ghabele gozasht bashad ( ta moadeleye 2 boedi barash sedgh kone)

tu rakhtekhab eyne fanar az jaam paridam hamvar shodam be saz , va check kardam ke aya tuner open ro = NH 12 neshun mide ya na , ke khoshbakhtane ,,koli fargh dasht ,,ellat kheili sadast , chon 6 mahe sal, tarafe head stock lock shode, esbat be intaraf , taaghire garmayee dar yek az taaghiratesh , baes mishe sim, be tarafe body jelo biad ar hali ke tamame in modda 2 tarafe ghofl, ba niruhaye kesheshie motefavet ( bar asare dama) movajeh hastan, vaghty az fasl migzarim va sim be tarafe body miad belafasele , taaghire sathe maghta hast ,,inja joft nakonin , va ghable ,test aval NH=open, baad 12=Nh12

Some Stories

man kheili ghaziyaro ba kesho ghos tozih dadam, serfan bara yek manzoor ,,inke bara bare 1000 om taakid konam ke cheghadar basic, e ghavanin mohemand, va agar be chizaye sade deghat nakonim , cheghadar darke ma, naghes khahad bud,,dar suraty ke , agar dar zehnemun bashe, va ma bekhahim moserane tamarkoz konim , be tarighi, ajib miad birun ,,mesali birabt mizanam,, be dalayeli ke tars az ampool benamam, etefaghi dar zendegy e man oftad ke hargez dige mariz nashodam az 8 salegy , yek bar 14 salegy noyee birun ravie mayeat dashtam ke kheili mano zaeef kard va darmanesh , ye ghorse cotrimaxazol bud

in vaghe gozasht ta hudude 20 sale baadesh hamun marizi be soragham umad , 7 rooz doctor raftam ,har bar serom ,,,baba laanaty chera intorie ,dalilesh ye bakterye sadast ,,vali babate , bisavadie, pezeshkane azizemun ,man teye yek hafte ta dame marg raftam , rooze akhar , dar hali ke az khab , pa mishodam, kalameyee tu kalam bud, ke 1000 sal bud yadam rafte bud : COTRIMAXAZOL

eyne fanar paridm ,raftam in ghorso geeftam kamtar az nim saat khub shodam ,


manzooram az zekre in mesal, in bud ke agar ma zamani ye chizo befahmim , mohem nist ke bar asare adame karbord ,kamelan faramoosh konim , agahi e ma tori sakhte shode ke dar lahzeye niaze vagheyee , hata shomareyee ke tu dastet kardan mogheyee ke nini budi tu bimarestanam be yad miary , va barat karbordy mishe

man faghat dars nemidam, salha be fekre , behbude ravesh haye amoozeshi budam, agar kessi hasty ke be har dalil ( man in blogharo minivisam ke ham, jozve nevisie bache ham, taamin she,,ham hamzaman kessani ke estetaate zamani ya mali e ,class hamo nadaran, betunan bahremand shan, az in babat shagerde neveshteham, agar hastin , in tekiye va deghat o hatman bokonin ke vazeh va shafaf , va mesle booloor mataleb tu zehnetun ja begire ,,man beshoma in tazmino midam, ke jahayee chenan khalaghane, az jaam shodan e mataleb , karbordhayee ro peida konin, why not ? ke baraye avalin bar dar donya , invent shodan ,,,


matalebi ke man midunam hame az in dastan,,basic e ghavi va tafakore ziad ,,man nemizaram zehnam, dargire, moshkelate ravanie doxtaraki beshe , ya be har tarighi , gheir az , doost dashtan hargez, kessi nemitune ba man daava kone , ya zareyee ,az havasamo be khodesh ekhtesas bede , chon midunam ke mimiram va vaghty bara in cherto perta nadaram,, ta vaghty mohabat sedaghat , paki hast , hastam,, gheire un , yadetun nare shoma gharare ke artist bashin,, va man ghasam mikhoram , data dastetun be 107000 farsakhie nahiyee ke betunid chize bedard khor vagheire copy, ,peida she nemirese,, magar inke, az hamin saniye ke shenidi hargez tu omret dooroogh nagy ,what ever it takes,,hata taarof

va age fek mikoni adame sadeghi hasty , charande ,kamtarin doorooghi ke dar roz migin, 1000 , tast hade aghal kheiliash be khodetune,,man migam motlaghan ,,

in baese bevujud umadane arameshe daruni ee mishe ke niaze aslie safar be navahi ee az edrake ke lezzate parse zadan dar un , shohrato servato,,, baghiye e kesafat o afate roohi ro , inghadar cheap mikone ke ,bi unke farghi kone ghar neshini , mikonin ,,be in migan varastegy ,,va age fekr kardy , ke doonestane music , yani musicianshp,, jaam kon boro,khooloose roohi ee ke niaz dary ta joojeyee bish nabashi , binahayat , ghalabe be shivehaye adat shode dar tafakor dare ke jangy vagheyee mahsub mishe ,, ke doshman dar un zehn e laanaty e

What Is The Deference Between Gain And Volume

tafavoty nachandan zarif , beine gain o volume vujud dare , agar che , har 2 amale afzayesh ( boost) ya kaheshe (cut) e damane ro anjam midan, ama agar in tafavote , damane, ghable process bashe behesh migim gain ,,ama age baade processor bashe behesh migim volume

tafavote gain ,mostaghiman, be taaghire jensiate seda bastegy dare , baraye mesal , agar signali ghable ye distortion ya over drive ( ya hata 2 ta amp ke be ham motaseland = distortione vagheyee) agar az vahede avali har chi gain ro bala bebarin , jensiate seda az clean , be overdrive va hamintor be crunch , va distortion va age bazam balatar bere hyper drive va dar nahayat age , ta daste (tarjihan ta khaye) gain ro bala bebarin, daghighan mishe hamun chizi ke aghauni ke sag metal mizanan , doost daran ,,sarsam e motlagh

ama farz kon,dary mp3 gush mikoni , har chi volume ro taaghir bedi , tahte hich sharayety , jensiate sedat taaghir nemikone ,,agar be ye power chorde ( kamelan dar moj morabayee shode) dary gush midi, ba kam kardane seda hamchenan, hamun palm muting ha chelegh chelegheshun sare jashe faghat , yavash tar mishan ,, na inke joe satriani dary gush mikoni , solosh hargez clean nemishe ba taaghire volume

dalilesh ine ke gaine ghable process dekhalat dar shekle moj dare ,,har chi clip tar beshe moje ma morabayee tare ,, dar hali ke volume serfan un shekle moj ro koochooloo ya bozorg mikone , va hich dekhalaty dar jensiate seda nadare

☼♣ Some Moral Advice ♣☼

badbakhtie maro mibinin ? in maghale gharare dar morede dynamic processor ha bashe,, na tanha bahs shuru nashode , hala hala ha ham, pish goftar dare, chon eshkale umumy e , irania ( ke az shekame madar , doctora darand) ine ke, hargez dark nemikonim ke bedune basic, hichi, hichi , ghabele fahmidan nist ,, albate takhayol o tavahom, chera ,mozakhrafat chera , va khodavand rahm kone be un mojudi ke mardomo gomrah mikone , serfe inke dookoonesho hefz kone, va tanha rahmesh in bashe ke, gozaresh be man naofte , chon man modafe e khode 14 salamam, ke faghat mikham sahih yad begiram , taghazaye ziadie ? chand sal ba gomrah shodan az dast midam ? az inru, ya chizi mesle booloor shafafe, va shoma fahmidinesh ,,agar oham vujud dare bendazesh door

man momkene rikhtan 21 sale be nazar berese, ama 21 sal herfeyee tadris kardam ,maanish ine ke , khuruji dadam 1000 an nafar tarbiat kardam ke , oooooo ego shuno nemishe jaam kard , fek mikonan khodaan, ama man pehenam bareshun nemikonam, na una na khodam , hargez rock star nabudam, hata agar ye alame parvaresh dade basham,,miduni, man shayad zarfiate , ego e in harfaro nadashte basham , kheili ajibe yeki az shohrat badesh biad ? oh labod, chon mitune un bala bashe , va hargez nist , tanha dalile manteghi ke be fekre, olagh jat mirese ine ke labod yaru , tu joobi jayee e dare tazrigh mikone , hata bi unke yek bar dide bashi tarafo ,,hargez, bar in tasavor nist ke hatman chizi kheili balatar dare, ke bara az dast nadadanesh , hargez, artesho khate moghadam gharar nemide,, va khodavand rahm kone beheshun age unche ke shoma behesh migin saz zadan , behtare in baba tu jub bashe, chon bayad kase koozato jaam koni bery , in masale moheme baram ke inja begam , joojehaye nazanin, hamishe jooje mimunin ,tavahom varetun nadare , ba hich meyary , hich koodoom az ma, hich pokhi nistim ,

agar avalin dasty ke barat zadan, bavaret she khabarye, fatehato khodet bekhun , va vagheyatesh ine ke tu un 24h/day ke tu baghalia tashrif dashtin , bi yek saniye tavaghof har rooz maharatemuno taghviat kardim va zamani ke tu royaye ablahaneye emza dadan budi mesle olagh dar hale dars khundan , unayee ke gozareshun az classe man miofte ino tu kaleye pookeshun furu konan ,ma jame yee binahayat mariz darim ke hasele vazehate , bahsi nist ama gham angize, hata vaghty be kessi bekhay ebraze mohabat koni , avalin bardashtesh ine ke taraf mikhad haramsara dorostt kone ,,ya yak martike khanum baze, va har chi kesafat e behet mibandan, chon nemidunam be kessayeeam ke intor zendegy kardan , kary nadaram , ama kessani hastan, ke hargez chon mitunan , chon mogheyatesho daran , hargez be in maana nist ke zaeef hastand va az in mogheyat estefade mikonan , na ,man khodam yegane parastiam, ke agar nabinam kesio mohem nist 4 5 ya 6 ya 7 sal, tanha khaham bud hamchenanke hastam

agar in gheshr ke mokhatabaye manan , va man mibinam 90% musically deaf hastan , yani dar tabiateshun nist ke musician beshan , kheili sade tosiye mikonam rahi dige bara , erza e oghdehatun peida konin ,

matlabe moheme digeyee ke tu in bakhsh mikha begam, goftam age mesle booloor shafafe , ke hast , agar nist , kheili az adama, intor nistan ke betunan ba ketabo neveshte , ertebat bargharar konan,, irad ru khodeshun nazaran, niazmande amoozeshe academic va classic hastan , be har haal man nahayate sae amo mikonam, ke pish niaz e unche ke mikham begamo, elman va akhlaghan, kheili vazeh begam ,

Normalization

amale normalize kardan , agar che mostaghiman be bahse D.P ha ertebaty nadare , vali besiar komak mikone, ta Dp mesle compressor , fahmide she va dalile inke ma compress mikonim ,ro besiar vazeh tar bema neshun mide

amale sadeye normalization to ndB ( normally n=0db = maximum volume) , be in maaniye ke dar wave e dade shode balatarin peak e mojud dar un wave detect mishe , va nesbat be n sanjide mishe ,farz konim , ke + 10db beine peak ta 0dB fasele hast , pas betore khaty (linear) ma mitunim 10 db be wave e morede nazar gain bedim,,tabiatan hich pardazeshi surat napazirofte , in maximum meghdar gain ie ke , mishe bedune process be wave dad

nokteye besiar mohem :

tebghe ghavanine recording ma baraye hefze quality bayad ta jayee ke emkan dare , ghavi record konim bedune inke hargez in emkan bashe ke , az 0db rad beshim ( ke clip va distortion etefagh miofte) , dar gheire in surat , chon bara map kardane signal haye zaeef tedade bit haye kamtary sarf mishe , errorr hayee soorat migire ke , beheshun migim , QUANTIZATION ERROR , ke distortion hayee hastand ke khod bekhod bevujud miad , dar surate darajeye tafkike payeen tar , ya be ebaraty , level e zaeef ke , khod be khod, darajeye tafkike digitizer ro payeen miare.

amale taghviat az tarighe normalization na tanha , baese ,az bein bordane , in eshkalat nemishe , balke unharo bozorg namayee mikone , shayad soal pish biad ke , pas in normalization e bikhasiat be che dard mikhore

normalization is only good for calibrating mixer !!!

calibre kardane ye mixer , ba ye mesal, moshakhas mishe,,agar poshte ye mixer bude bashin, hatmanba mavaredi bar khord kardin ke 2 tracke mokhtalef ,bara mesal flute va snare e ye drum , va ba inke fader e snare ( yeki az in track ha dar kol) ta jaye momken payeene , va flute ru maximume, baz, sedaye flute e bishtare

calibrate kardane mixer , be in maaniye ke ma betore nesbi entezare hajme sedayee e yeksan dashte bashim , vaghty ke 2 fader dar mogheyate yeksan gharar daran

deghat konin,migam nesbi , chon, ba ye moj tarafim, ghole ya peak hesab nist , masahate zire monhanie, wave e ke moarefe hajme , na meghdare pick

dar kol, man normalization ro , na estefade mikonam na tosiye mikonam, chon agar havasemun mogheye record , jaam bashe, niazi be normalize kardan nadarim ,,mavagheye ke estefade kardam, joz bara tahghigh , mavaredi bude ke job restoration bude va record , male kesse dige va unam nesbate estefade 1 be 1000 bude nesbat be estefade az dynamic processor ha

Common FAQ

mavarede besiary in soal, bara kessani ke mix e gheire herfeyee daran , vujud dashte , ke chera mix e man ba inke ta nahayate emkan, taghviat shode va hata 0.1db gain baese clip mishe , kheili kheili zaeef tar az mix hayee e ke tavasote compani ha erae mishe ? aya marbut be dastgahaye asbab baziee ke, man estefade mikonam ya chi?

javabesh , be sadegy , adame daneshe ,mix engineer ( agar beshe behesh mohandes goft ,,har olaghi ke mishine poshte mixer , layeghe in onvan nist) , va bishtar az hame, nadashtane danesh e estefade az dynamic processor ha ,,, va tozihate ezafy,,, unchizi ke ma , be onvane studio e khundegy tu iran mishnasim , na tanha , asbab bazi nist , balke end of technology e sound e , ke hich studio i tu naafe holywood , tavanayee va estetaate kharide software hayee ke doremun rikhte , va hargez nemidunim , ina che arzeshi daran, ( bara mesal, tu in cd haye 2000 tomani, hamishe set e Fx haye waves hast , gheimateshun 12,000 POND Na $ va in , ablahane tarin joz e, studio e mae ,, agar heimate software hayee ke estefade mikonim ,ro jaam konim , bahash mishe kole khunehaye ye mahaleye gerun gheimat tu tehrano kharid, unvaght taraf cheshmesh be 4 ta lamp o dokmast o ke jamed bashe, usulan ajsame jamed, mavarede estefadeye furu kardani daran , shayad az in babat jaleb bashan, vagarna, chera man bayad , 8000 ta cabinet amp, i ke daram ke tu kole borji ke zendegi mikonam ja nemishe ro , bekham phisical dashte basham ?? man ke aghlam joz chepanidan dar jayee be zehnam nemirese


A Dynamic Processor Parameter(s)


bara inke , kheili koli tar betunim dar morede dynamic processor ha harf bezanim , raveshe man dar tadris ine ke parameter haye hamaro yekja, va dar yeki az unha tarjihan compressor , begam ,vaghty uno shir fahm shodin, tafavot ha be rahaty fahmide mishan

jz758h_thumb1

ye dynamic processor dar vaghe ye morabae , ke dakhelesh ye monhani dare va in monhani karkardesho moshakhas mikone ( karbordhayee ke ba vaghih tarin mesala baratun roshan khaham kard)

in moraba, ke dar vaghe ye mehvar mokhtasate ,mahdoode , mehvare X ha ( horizantal ) neshun dahandeye ghodrate input e ke az chap be rast -100db (-inf) va dar nahayat bakhshe rast 0dB be onvane maximum , meghdar e mojaz

va mehvare Y ha ( vertical one) neshan dahandeye khurujie output level ( after dynamic processing), ke dar kamtarin meghdar – inf ( -90 or -120)dBFs va dar zel’e balayee maximum meghdar 0db

por vazehe ke agar khate y=x dar darune in moraba bashe, yani hich pardazeshi surat nagire , output = input

Some Other Figures Of D.P (s)

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(be frequency ha va aadade gheid shode deghat nakonid va ashkal ro joda dar nazar begirid)

Reminding some basic math

agar ma ghesmaty az khate y=x+n ( ke khati movazie y=x : khate 45 daraje) ro dar in morabae dashte bashim mafhume un ine ke D.P be onvane GAINER ,(constant Gain) amal mikone, va vazehe ke meghdare gaine un barabare -n mibashad

age n<0 gaine manfi ya Cut be andazeye -n Ya ABS |n|
agar n>0 gaine mosbat ya boost darim be andazeye ABS |n|

ABS|n| be maanie ghadre motlaghe n e ( Absolute )

ta inja tamame khatayee ke barresi kardim movazie y=x va daraye zaviye e 45 degree (pi/4) nesbat be ofogh budan , khathayee ke az in be baad baresi mikonim ,daraye zaviye haye kamtar ya bishtar az 45 hastand

y=nx+gain //bara rahaty gain = 0 ( make up gain)

y=nx ro dar nazar migirim, if n>1 bashe ( n shibe khat ro taeen mikone natijatan nesbate mostaghim ( dar asl ax az nazare alamat) ba parameter RATIO ( p:1 ) dare)) shibe khat e morede nazar , balatar az 45 e amalkarde un dar nahiyee e ke vujud dare EXPANSION ya gostareshe

binahayat vazehe ke nahiye kami ( saye e khat ru mehvare x ha) dar khuruji be nahiye e vasiyee ( sayee khat ru mehvare y ha) map shode,, pas maghadire input har chi bashan tahte in khat , gostaresh peida mikonan leza beheshun migim, expande

agar n<1 bashe (ie y=(1/3)x ) por vazehe ke amalkard , feshorde sazi ya compression e ,,bara darke rahat tar nesbate saye ha input be output ro ruye khaty ke zaviye e zire 45 dare deghat konid, (omidvar hastam ke axe tamame inharo, betunam az pdf import konam)

A Dynamic Processor Common Parameter

Threshold (Thd) : xdb x e [-90 - 0]


Ratio : (m:1)

Makeup Gain : n db

Attack : x ms / Auto

Hold : y ms /Auto

release w ms /Auto

Auto Gain : On /Off

Soft Knee : ON /Off

Side Chain : To An Audio Track

RMS /Peak (Selector)

GAIN REDUCTION METER : A Bouncing Meter

Compression

Amalkard : Agar signale vurudi az THR Tajavoz Konad be ezae har n db taarif shode dar RATIO (n:1) tajavoz az THR signale khuruji faghat 1 db Afzayeshe Gain Khahad dasht .

ie: lets THR = -20dB , Ratio (2:1) , agar Input Signal = – 12db

output signal = -16db + Makeup Gain

Pas bar khalafe tasavor ke compressor ( ke haghighatan) baraye bala bordane ghodrate daruni e signal , estefade mishavad , dar vaghe ,amalkarde aslie an tazeef

mibashad ( albate , ba ezafe kardane, makeup gain, hal kole signal ghabeliate balatary bara taghviat darad)

ghable inke ,baghiye e parameter haro tozih bedam , ba ye mesale sade amalkarde compressor ro tajasom mibakhsham, lotfan yekbar dige baad az mesal, mooroor konin, be rahaty dark mikonid ke in , amalkard ha cheghadar sade hastand (har chand intor be nazar naresand)

shoma wave ro mesle makete khamirie koohi mojasam konid ke gholeye un faghat 4Cm ba saghf fasele dare ,in maket gharare, az saghf avikhte she va adamha betunan az ziresh ubur konan ,faseleye maket ta sath 180Cm , e ke besiar kame ,, agar bekhaim, az tarighe normalization , uno bala bebarim, faghat 4cm ta saghf fasele darim ke 184 cm hanuz baraye besiary az ghadha monaseb nist

ama agar biaym ,az yek noghteye khas ( ertefae khas, THR = astane) be ezae har 4cm ( bara mesal) khamiro balaye un khate farzi (thd) be andazeye 1 cm feshorde (compress konim) vazehe ke ba 40 Cm fasele ta ghole be eza e ratio (4:1) mitunim 10 cm khamiro feshorde konim, hal tavasote parameter e make up gain 4cm ke dashtim 10Cm ham, ja baz kardim, dar kol mitunim maket ro 14Cm balatar bebarim ke fasele 196Cm khahad shod

bargardim, be wave e vagheyee , daghighan hamin etefagh miofte , yeki az natayej e in amal, az bein bordane ekhtelafe dynamic e,yani passage haye loud ba compress shodan zaeef tar mishan, va passage haye soft ba makeup gain taghviat mishan, lezza ekhtelafe dynamic ( ekhtelafe bolandi e seda ya volume seda) kam mishe lezza ghodrate daruni e music, besiar balatar miad ,,ya be ebaraty , masahate zire monhanie wave bishtar shode leza hajme koli e seda besiar afzayesh peida mikone

Deadly important note

avalan, be kar bordane DP ha ya compressor bishtar az unche ke matrah bashe koja estefade konim, mavarede besiar y hast ke hargez nabayad estefade konim ,va saam mahsub mishe baraye mesal ,music e classic,, khasiatesh ine ke farazo nashib ( ekhtelafe dynamic) dashte bashe,,vaghty faghat yek oboe , part e khasi dare va lahzeye dige full orchestra , tabiatan, in ekhtelaf bayad mashhud bashe

sanian, man amalkarde, parameter haye ebtedayee ro goftam, va az tush karbord dar avordam , karbordhaye besiar motenave e digeyee ham hast , ke baziashuno, mesal mizanam , va in karbord haye mokhtalef natijeye setting haye mokhtalef khahad bud , baraye mesal jelo tar tozih midim, ke chetor be onvane sustainer , az in unit estefade konim ,,ya chetor karborde police i dashte bashim va va va

DANGER :

khatare doonestane chizaye kam va bitajrobegy dar ine ke az farda hameye khanandeham o tasavor mikonam ke be khike tamame track hashun compressor mibandan,, deghat konid serfe doonestane yek chiz, hargez in ejaze ro be shoma nemide, ke azash estefade konid,,kheili az mavared, estefade nakardane Fx ha , ya bekarbordaneshun be surate kheili molayem , binahayat natayeje behtary mide

unhayee ke shenakht e nazdik az man daran , midunan hamishe , kharej az inke Fx processoram chi bude, sedayee alii dashtam , ke hich bahsi dar un nabude ,,in sedaye ali faghat va faghat natijeye shenakht e component ham bude , va estefadeye sahiho beja az unha , va hamchenin hargez dar zendegim az yek preset estefade nakardam, hameye sedahamo dar har systemi , khodam program mikonm mohem nist cheghadar vaght begire , va az hame mohem tar , natayeje ziba tar ro ba simplicity va sadegy va estefadeye hade aghal , az Fx ha bedast miaram

IMPORTANT NOTE(s):

agar dar mohite sequencer be ye track ya group track ya master track, be har tarighi, D.P apply mikonin , hatman bayad , dynamic processor ha be surate INSERT eemal shan,,manish ine ke ,100% signal, bayad be FX direct she ,,agar be tarighi , az raveshe SEND Fx estefade konin , hatman bayad send level 100% bashe

va az hame MOHEMTAR Raayate signal Routing e chon Fx ha jabejayee pazir nistan , va sery e dynamic processor ha, hamishe dar ebtedaye zanjireye Fx ha gharar migirand

MOST IMPORTANT FUCKING NOTE

hamuntor ke baadha khahid did , hich Fx i nist ke sikim khiary ghabele tanzim bashe,va hata dar ravesh haye tajrobi ke baratun erae mikonam na tanha ,tartibe tweek kardane parameter ha moheme balke meghdar avalie va tartibe cyclic e set and re-set dare,,bara FX i ke nemishnasi bezar khialet o rahat konam, ke elm chikarast honar chikarast : az miune milyard ha emkane tarkibie parameter ha taghriban 99% mojebe kharab shodane seda mishan, kare elm, moshakhas kardane jazireyee koochik tu in oghyanus e ke 100 ta emkan ro barat bekeshe birun ke rade bandishun , ey – hala bebinim , emmmm bad nist , yenamoore khube ama ,, khube ,oh thats cooool ,,,va kare tajrobe va honar entekhabe cool az miune in emkanate shodanie ke baz az gand zadan ta ey range darand

khob fek konam time blog nevisie man tamum shod, bayad tazakor bedam ke hanuz nesfe matlab baghi munde ,,hata bahse compressor hala hala ha, tozih dare va aksare ,parameter ha tozih dade nashode,,sae mikonam ba graphic bargardam, va teye 3 4 update , in blog ro be ye layeghi ,pishkesh konam

good night,good luck

By : hamid Reza Edalat Nejad

ASIO FOR All, And Sound engineering (system related ) Informations.


ASIO Driver For All (A Gift For Musician) /(updated)
asio4 all magnify
ASIO FOR ALL DRIVER

2011update:

chizi ke mitunam alaan ezafe konam , ine ke ba umadan windows 7 64x, kheili az sound card ha va audio interface ha ,moshkel ,nadashtan driver 64 bit , peida kardand,, ASIO4All akharin version ro 64 bit ke khosusan aksar usb haro ,(man har che test kardam az driver khodesh be chandin dalil behtar amal kard ,agar ,hamchin moshkeli dashtid, mitunid bartaraf konid ,,,

 

 

ehtemalan, entezar daran, ke studio e recording , chizi shabihe , kabine khalaban az zamin ta asemun pore knob o, fader o , button bashe,,, yeap, hast , kheiliam pichide tare,, ama tu monitor ,,va babate quality i ke mabeine tafavote , in 2 technology , (digital, and analog) vujud dare man in etminano midam, ke hargez ghabele ghias nistan,chon , emkanat va qualitye system haye ,digiatal, millyard ha, barabare system haye analog e, va emkanaty hast ke khebrehaye inkar hata tu khabam nemitunestan tasavor konan




in eshtebah , bishtar az in nashi mishe ke babate software hayee ke tahiye mikonim, pooli nemidim, fekr mikonim khob arzehishi nabayad dashte bashan ,,dar hali ke tu in reshte , ma hade aghal 1000 jur software e mokhtalefo be ham link midim , ke karaye studioyee ro anjam , bedim ,like, samplers, Fx procesoors, rewire technology , sequencers , and ,,,,




faghat baraye ye joze koochik , ke moteasefane ya khoshbakhtane dar ye cd 15000 dar dastrese hame hast ,, ye sery Fx , high quality be esme WAVES DIAMOND PACK, ke shamele, 30 40 ta FX mishe faghat bayad 12,000 POND pool bedi ,, va agar tu computeraye maharo FBI search kone, milion $ addade koochikie, boro kheili balatar 






INPUT AND OUT PUT LATENCY

anyway moshkele asli ke ha sound card aye addi darim, bishtar dar masale driver e , na ,hardware /baraye , audio ma chand ta protocol darim, WMA ,va MME , driverie ke hame bahash ashnayeen, in hamuni e ke ,bahash ,MP3 Play mikonin, Movie hatuno mibini,,hamchenin Direct X




in protocol ha ya memarye narm afzaryee ke dar daruneshun daran, mojebe ijade latency e (delay) besiar ziadi mishan , ke man meghdare taghribishuno , baratun, migam,,ama ghablesh aslan begam latency yani chi 




farz konim shoma direct mikhay guitareto , vasl koni , be computer , va az un be onvane , ye Effect Processore herfeyee estefade koni etefaghi ke miofte , be tarze sade tu 3 marhale be in surate




1, audio signal (ke taaghirate voltage dar tule zamane), bayad aval digitize beshe ,,yani be surate ye sery addad dar biad 




2. bere tu software e morede nazar va bilyard ha mohasebe , rush anjam beshe , 




3, mojadad,bayad ,tavasote Digital to analog, converters, tabdil be signale, analog beshe va , az unja, rout beshe be systeme PA (Power amp ,ke hala mitune ye amplifier e zabte maamuli bashe )




tu marhaleye 1 zamani ke , sarf mishe ,baraye anjame in kar behesh migim INPUT LATENCY






va zamani ke tu marhaleye, 3 masraf mishe ,behesh migim, OUTPUT Latency







APPLICATIONS

I.banabar in bara kessy ke microphone , ya guitaresho vasl karde be Pc, az zamane ejra ta shenidane signale khuruje , majmooe, INPUT LATENCY + OUTPUT LATENCY RO DARIM




II.bara , kessy ke, MIDI KEYBOARDESHO vasl karde , va mikhad , az SYNTH ha va SAMPLER haye, ghodratmande ,mojud estefade kone , faghat OUT PUT Latency hast




bara har 2 e in karbord ha, ke REAL TIME hastan, latency e balaye 12ms , gheire ghabele ghabule , va navazande, mabeine, ejra ta shenidane ejrash, taakhiri dare ke azaresh mide 





Evaluation



INPUT LATENCY FOR MME AND WMA







IN Approximately 750 – 1000 Ms



Out = 350 to 700 Ms




pas in driver motlaghan , be darde are ma nemikhore 




Direct X Specification :




IN 46 to 350 Ms




out 300 to 700 Ms




in driver ham be dard nemikhore 




ASIO DRIVER

tanha driver i ke mitunim estefade konim, ASIO (AUDIO INPUT OUTPUT STREAM)




ke IN+ OUT = 0 to 20 ms (depended on buffer size)




(note , 0 ms , be maani e nabude latency nist balke meghdaresh , momkene 0.0034 ms bashe ke taghribi, real time dar nazar migirim)




Note: Hard ware i ke shoma , estefade mikonin, maamulan, 4 Ms delay dare ke gushetun motevajeh nemishe 




agar pool midin, bara hard ware e gerun gheimat darvaghe , aksare pooletun ro midid, ke az Driver i estefade konin ke barash neveshte shode ASIO Driver




IT WORKS BABY, IT WORKS!!!




anyway , man behetun ye Driver moarefy mikonam, ke ba 95% Hardware ha , (bekhosus sound blaster haye 2 zary ke hame azash estefade mikonan , compatible e, va FREE e) va mohem tar az hame ine ke javab mide





Note : baade instal, hatman bayad meghdare Bufferetuno payeen biarid, va inke , cheghadar betunin, in meghdaro kam konin (ke mostaghiman, latency ro kam mikone) , vabaste be parameter hayee mesle, CPU poweretun, va ,,,, dare,,ama ma ba maamuli tarin computer haye emroozi ke hame bara chat kardan azash estefade mikonin, javab gereftim,, faghat , baade instad yadetun nare ke bayad , meghdare , Buffer ro kam konin ,,, ( In 48KHz, sample rate ,,144- 255 sample Ideal e va mitunin 3 Ms ,latency (yani amalan 0 , ro azash begirin 






CMT TECHNOLOGY (no more Algorithm ), 


inja bayad ,technologye CMT ro , moarefy konam va soali takhasosi ro , beporsam ke , kessaye ke bi danesh faghat , ver mizanan, va hajm mikhan, beshinan sare jashun ,,,





aksare, FX ha algorithm e ,ok, va, in be in maanie , dar morede distortion, (faghat in yedune), vaghean, hich rahi nist ke, drive e khubi ba algorithm ijad kard ok ok ,manam ham aghideam 




ama, shoma hich padideyee ke be in tarigh tarahi shode bashe , nemibinin, balke jash, 100 ha unit e , shenakhte shode va amp haye shenakhte shode ke hamegy daraye madar haye analog hastan o ba hamun esm hamun trade mark mibinin,,masalan, TUBE SCREAMER< AMPAYE MARSHAL BA MODEL HAYE DAGHIGHESHUN< BOSS DS 1 va ,,,,




ina 100% bedune hich khatayee , model shodan, ya emulate , shodan, tavasote technology ee be esme , COMPONENT MODELLING TECHNOLOGY ,,, va ghaziye be in sadegye ,ke shekle madar ro migiran va signal engar daghighan az miune hamun, khazen ha, transistor ha ,lamphaye Tube ,va digar ajzae electronic , ubur mikone ,,vaghty migam 100% emulation , harfam tejary nist , agar , mikhastam maghaleye dar morede CMT benevisam inghadar takhasosi mishod ke hich kas nafahme ,,100 jur integral va daneshe electronic, mikhast ,, anyway agar professional user i hast ,va bishtar dar morede CMT mikhad bedune , bere http://www.simulanalog.org va chanta unitam majani begire, ama in unit ha , aslan, GUI e khubi nadaran , chon projeye tahghighatye, na tejary (GRAPHICAL USER INTERFACE I MEAN)




hala soalam az un kharayee ke, chizaye kato koloft o doost daran , ine ,,,farz konim ye salone gonde pore equipment dashty , va 200 ta rack ,(hala vasl kardane ina jabejayee, va hajmi ke eshghal mikonano , aslan, bikhial mishim)




man azat miporsam, farz kon , reshteye vurudie to ye reshteyee bud nazire in (12,34,-1,-45,,,,)




va baad to az in hame dastgah radesh kardy baad ba ye microphone ,e 10 millinoni recordesh kardy va, baad ba 100 ta rack post Fx dady ,va dar nahayat ru cd in reshte sabt shod be onvane (-32,54,12,3,-4,etc)




dar vagheye ye function dary ke dar un 




F(12,34,-1,-45,,,,) = (-32,54,12,3,-4,etc)




hala man migam, agar be jaye , tamame in damo dastgahe sakht hajm gir , u umady az, ye PC estefade kardy 




soale man ine ke 

WHO GIVES THE FUCK THAT U USE SUCH A SHIT OR A PC ??







javabam ine ke I GIVE A FUCK < REALLY I GIVE Cause its








bara inke agar amp hayee ke man tu pc daram, o vaghean dashtam tamame borje 130 vahedi ke tush zendegy mikonamo behem faza midadan, ham ja nemishod,,, taze, omran nemitunestam inaro 2 jur connect konam, chon 1000 jur ,mahdudiat dashtam,,, agar mikhastam be ye amp 20 ta cabinet vasl konam, hatman , dashtam khab mididam, chon moshkele impedance nemizare ke man hamchin khabiro bebinam,,va 10000000000000 ta dalile dige ke inja mitunam ba ye click bokonam, inja mitunam , 10000an tanzimo ba ye preset call konam, unja really nemitunam , ya bayad 1000000000000000 sal omr e ezafi midashtam ta inkaro bokonam ,,va va va 




VA ++ , un chize kolofty ,ke doos darin , ye device digital e maanish ine ke , bara khodesh internally cpu, hard , va ram o , Hata OS,,, dare,,va chon yek, DEVICE TAK MANZOORAST , Hargez, be garde , ghodraty ke ye processore, ghavie hame manzooreye ru ye PC , berese va baghiye , dependencie haye ye systeme digital 




ino az in jahat migam, ke barha ,moshavere sakhto ejraye , studio haye mokhtalefy budam,,,system am ro setup, kardam,,,fardash umadam didam ye mize mixere 7 metry , unja hast ke ruhe manam khabar nadare in chikarast va tu setup e, man che ghalaty mikone ???




migam in chie ??? (va hazinash vahshatnake ),,migan hichi , in be to rabty nadare ,, in gharar nist tu are ma bashe,,faghat roshanesh mikonim , lampash , tekoon bokhoran :O:O:O:O FUCK YOU < BUT WHY ????




javabam in bude hamvare ,,ke baba moshtary ke miad inja, bayad chizi cheshesho begire,inja irane , ,,,va agar damo dastgah nabine ke pool nemide




khodaya, ya manno bokosh ya inaro , chera mano laye in ahmagha vel kardy ,12 sal joon mikani, dars mikhuni , ba poshtkar , cheshato kmaret dar mian, baad ye adame bisavad , bekhatere erzaye ye adame bisavade dige ,faghat tazahor, I HATE U ALL PRETENDERS ,FUCK U ALL




sharm avare in tarze tafakor really really bayad , kalasho bokone tu tuvalete farangy , va khodesh ba daste khodesh siphono bekeshe va nigar dare , ta hazf she az in donya 




HOW TO GET THIS PIECE OF SOFTWARE (Driver)







bara inke ,betunin az asio For All estefade konin, mitunin, berin inja va akharin version e , in software ro Dl konin ( 250Kb natarsin)




http://www.asio4all.com 




bazam migam, meghdare Buffer o bayad kam konin ta natijeye matloobi begirin 





WHAT SOFTWARE FOR FX’s?




AMPLITUBE 2 //(agar VST HOST darin Amplitube 1.2 ham alie ,,ama stand alone nist)



Aplitube 2 kamelan, meemarye motefavety dare va completely redesign shode banabar in mitunim, intor begim ke amplitube 1, va 2, kamelan 2 ta software e joda hastan va 12 ba sedahaye vahshatnak ali, va interface i ke kheili rahat bara kessaye ke ashnayee nadaran , be natije miresin (GUI)

GUITAR RIG (2 or 3)





AMPLITUBE LIVE (!.3 or 2.x)

(mitunin az khodamam, tahiye konid, ba tamas)

Guitar Combos By NI ( 3 separate Amp Modeled : Fender Tween reverb / Marshal Plexi ,And, VOX , Ac Box /


Guitar Rack Tool 
(Waves : Need Vst Host , like Nuendo or Cubase sx or any other sequencers that support for VST instruments)

WAVES GRT is her Trade Mark




mitunin be video e guitar rig iii tu blog haye ghablim moraje e konin,, ina controller ham daran,,, va ,zemnan, man , bara concert, ye lap top, ye ,Guitar port/Audio interface,,va ye controller , mibaram, va ham vocal, ham keyboardam, ham guitaram hame chim dar high technology tarin va high quality tarin halaty ke momkene bashe hast,




IMPORTANT NOTE



inpute sound kart haye addie shoma , LINE LEVEL e ,(high low impedance) yani +4dBvu),,shoma niaz darin ke ye input ,e high impedance dashte bashin , - 10dB ke betunin natijeye, khub begirin, bara inkar , niaz darin ke ye pre amp , dashte bashin ya be tarighi (hata ba estefade az FX-505 e ashghali ke , sooopoor lotf nemikone bebaratun estefade konin , estefade konin ya har device i ke , in , signalo line level kone)







FOR MORE HELP U CAN CONTACT BY 



hamid.eddie@gmail.com

(never Use My Yahoo Id for mailing :Hamid_eddie /Cause its only for YM! Messenger/ And I Never Use a non POP-3 Supported mail)




FOR CLASSES AND FURTHER INFO FOR A SIMPLE USER




OR IF YOU NEED A COURSE For FX Programming and ,simple use of your digital Home studio , U can Contact me , For classess by: 0935 875 41 46






(tamame classaye khususi dar manzelam anjam mishe)




dar nahayat , omidvar va motmaenam ke hich khanumi, in maghale ro naxune (they dont really care about this kind of things) By The way ,ba foshayee ke dadam koli maazerat,anyway fosho sakhtan bara dadan ,baazia liaghatesho daran va man ba kamale mail, midam

THE BEST FeaTURE :

be nazare man behtarin khasiseye in system bara adamaye vasvasiyee mesle man , ke hichgah part haye guitaramo record nemikardam, hamishe be ye dalil ,: chon ina dar vaghe aziz tarin lahazate shirino talkhe zendegim budan (my songs = my feelings) hamishe dar morede seda vasvas dashtam ke hala ye roozi mishinam va ye sedaye ali bara in mogheyat misazam ,va in rooz hich moghe nemiumad ,,, ama, chon dar systeme recording , un zir clean, record mishe va hamun chizie ke, az pickup gerefte mishe natijatan be rahaty mishe be rahaty , patch o preset o , har lahze avaz kard,,va mohem tar inke, ba ye sedayee ke touchi khas mide , ejra o zabt kard va , ru sedaye dige gozasht va tu in gashto gozar adam be ziba tarin settingayee mirese ke tu khab, nemidide,, hala vasvase dige matrah mishe ke wow koodoomo bezaram,,clean bashe distorted bashe ,over drive va,,,, hame zibaan , va dar bakhshe cabinet simulation, va microphon simulation ham ba 2 technology e dige in tazmine 100% simulation (dar vaghe equation ) tazmine ,,, ama, dige part zabt shode ,, na inke az vasvase inke, some day i will record it by the best possible sound design,,chon mishe aval record kard baad sound design kard 

va hamin mohem tarin masale tu edite sound pish miadke ba daste baz, bedune inke ye dast be saz bashe sound o design mikoni va wow ,emkan nadare ke man betunam begam cheghadar emkanaty hast ke ,its great ,,,baade 12 sal, az sale 95 man ba in technology bozorg shodam ,vali har rooz chizi hayajan angiz tush mibinim ke, aslan tu khabam tasavor nemikardim

LAST NOTE:

agar vaght konam, ye sery Mp3 demo , mizaram, tu 4share.com, lotfan fully shave konin khodetuno ,,anyway, kessaye ke mano mishnasan, midunan, ke, man hamvare sahebe behtarin sound budam o hastam o khaham bud,, faghat bavar nadaran ke, inkaro na ba hazinehaye sarsam avar balke serfan ba daneshe , khodam , mikonam, chon, hata 1 preset ham man tu omram pre programmed, nadashtam, hame ro khodam program mikonam, va in,natural e, chon vabaste be jense input o output dar nahayat , bara emzaye sotye khas, bayad anjam begire, be har haal, doost daram, ye packe , preset bara umum ham hediye konam ke minimum, edit ro bekhad ,,shayad , agar ama , dare ,,chon bayad beresam, baad khasis nasham, va ziady khoshgel nashe, chon sedaye man, namoose man e, va male mane u know, !!! man hamihe yad dadam, be digaran,, bakhshe art esh koochike, un bakhshe ke nemitunam hediye konam ama 90% danesho chera ba sekhavate tamam, midam, chon bar in bavaram, (va az bachegy budam), ke khodeto takhliye kon, ta hese bartary talabit ,baes she, bishtar ,yad begiri, be har haal, ina angize e neveshtane in maghaleha nist ,,chon hezaran hezar az in maghaleha, hata 1/10 danesham nakhahad shod,, goftam ke its a gift ,,, bara khode koochooloom ke arezu dashtam bedunam, o hich ja nabud , ke behem , ye neshune bede ke koja boro

it act like vaseline baby , its just a lubricant ;)

PS:

THE MOST IMPORTANT NOTE

IF YOU USE IT A LOT THEN BUY IT | NEVER USE A WAREZ (CRACKED) SOFTWARE FOR MAKING MONEY < ITS JUST FOR LEARNING ,…

ina jomalaty budan , ke maamulan, khode cracker ha ru mahsulate crack shode minivisan, moteasefane ,tu mamlekate ma darke sahihi az copy right nist, hame be dozdi addat kardan, va esmesho zerang bazi mizaran,man mikham inja vagheyaty ro begam ,,, agar shoma az in software ha estefade mikonin ,va , gheire masarefe yadgiri , azashun make money (pool dar miarin), in nahayate nafahmie e ke, in software haro nakharin ,,biaym masale ro az dide vojdano akhlagh ,nabinim bebinim 2 2 ta 4 ta chi mige.

midunin, man bara milliun ha emkanaty ke, dar ekhtiaram hast va inghadar khoshhalam mikone ,ke vaghty khabar dar misham version e jadidi , umade, majburam nim saat , malagh bezanam khun be maghzam berese, ta az khoshhali namiram ,,,ama in khoshhali , in emkanat , hasele zahmate , hezaran barname nevise foghe herfeyee e ke sob ta shab salha zahmat keshidan va in , software haro neveshtan ,,in adama, mesle mano to, noon mikhoran, zano bache va khanevade daran , agar babate karo zahmat o daneshi ke daran, support nashan, va (khodaro shokr ke aslan tu europe va usa , aslan az in bivojdania nist) , aya maanish in nist ke version e baadiee vujud nakhahad dasht ??? aya bara kare khodetam ke shode, (faghat khodkhahane), agar in emkanato mikhay , ke miduni in technology serfe vosaate user hash inghadar arzun e va ghaziye ba milliun $ hal mishe ,na millyard),,aya in hade aghale, kary nist ke agar ,dar amady dary , bayad haghe unaro bedi, serfe inke ,khodet betuni, edame bedy be karat …

man khodam be onvane ye software engineer, midunam , he talashe, vahshatnak va gheire ghabele tasavori , beine 1000an nafar soorat pazirofte ,ke ina sakhte shan, va kargary ke bil mizane jeddan bere jelo boogh bezane ,,talashesh dar ghiase ba in adama, hiche

ye mesali mizanam ke, az aamaghe vujudam dark mikonam,,, man ye musicianam, mibayast ke kare man in bud ke partaye digarano write konam, bedam dasteshun , va beram tu ye studio bilmaze bilmaz,, parte khodamo bezanam, va 10 nafar dige ham company konan, partashuno bezanan,baad ye team e dige, be ma kare mix o master shodaro tahvil bede , va ye teame dige ham noskhehaye ziady az uno, copy kone va ye team e dige bede be supplier ha, va mardom ham beran bekharan 

ama man tu mamlekaty chenan aghab oftade zendegy mikonam, ke ta modaty pish , hata music ro haram midunestan ,,anyway, moshkelate maddim ejaze nemidad (na be man na be ye bache pooldare kharaki) , ke in hazineharo motehamel sham , ++ inke khataro hame chizaye dige va inke , adame divune kam peida mishe ke kare sakht bokone ,va,,, baes shod ke man chikar konam ???

dar hali ke zendegye addimo, mesle hameye shomaha dashte basham (darsamo bekhunam mesle olagh kar bokonam, va gheire ,,,) na tanha dar , saze takhasosi e, khodam, balke , jaye , baghiyee e ke nistan, sazhaye digeyee ro ba zahmato masheghate faravan yad begiram,,, salhaye sal, sarfe tarbiate , khod sakhteye man shode,,hazine ha vaghtha rafte ,ta danesham va tabahoro techniquam, be haddi berese , ke betunam be khodam begam, bache musiocian ,,,baad , niga kardam didam ke, khob sound engineer ham khodam bokonam, ta mabada majbur sham, honaramo befrusham,, chon , kessy ahadi hagh nadare be man bege , jelo doorbin shorte ghermez bepoosh , chon man, sponsere to hastam ,va ,khoda $ kharjet kardam hala ada atfar dar biar 

daneshi ke ma peyesh budim besiar takhasosi va sakht bud, manabe vujud nadasht , majbur shodam , zabanam dar haddi taghviat beshe ke takhasosi tarin matnharo tu reshtehaye motefavet , chenani dark konam ke allan, be un zabun , ketab minivisam ,, baad , biam, AS A ONE MAN BUDDY ,hameye sazaro bezanam, sarmayam, bara , harekat khune del bashe o dele shikaste ,,na shuneyee ke behet lean kone (nemigam behesh lean koni , ) va hala in geghtedaro daram ke , kary besazam, va kary bokonam, ke to bi hich shaki bery tu divar az hayajan,,, az ru khod bini nemigam,haghighaty ke azash siohbat mikonam, az ammar va riazi va , sanjidane koneshe , shenavandeham bude, – tamame avatefe khayemal gune ,va khalesesh dar umade ke, man mitunam jooneto az farte hayajan begiram,

babatesh , ye omr , amoozesh e sakht didam,va bi yek saniye esterahat jangidam,, in hediyee e ke man mitunam behet bedam ,,,ama to bi unke dar nazar begiri ,,kare mano var midary copy mikoni, va tep tep, be doostatam midi ,(man inja manzooram tamame musician ha va gheshre honaryan ke az copy right barkhordar nistan),,bi unke dar nazar begiri , ke agar to ba inkaret ,gand bezani be supportam, na az albume baadiee khabar khahad bud, na hichi ,,, you would fucked me up , to mano majbur mikonike beram tu ye job i ke ,har chand tush, aliam, ama behtarin nistam,, to dar vaghe , hamun hayajano az khodet salb mikoni,,natijash ba amsale man ke kale shaghan , ine ke , begam goore pedaretun,,tanha kessi ke sade tarin version e honare mano mishnave , eshgham, doostaye nazdikam,va ye edeye kheili mahdudan, va man argez in eftekharo beto nemidam ke in halo bebary 

miduni chera ,? chon zerangy va khod khahie to baes mishe faghat khodeto bebini ,,tamame kessaye ke zahmat mikeshan, adam hastan,unha sarparaste , edeyee hastan ,va agar az unha khub moraghebat nakonan, va beheshun naresan che basa, deleshun bish az uni shekaste she , ke fekresho bokoni,, inke az atrafianeshun adame darki ro dashte bashan, mesle inke daran ab tu havan mikooban 

agar tu dorane 76+8,shagerdaye man rikhtan va ghorogh kardan, va behtarina budan,,man hargez pamo nazashtam, un bala,, man hargez ejaze naddam ke esmi azam avorde she,,arezu dashtan, nashenas basham, chon hata yek nafar mahze rezaye khoda yek nafar nabud ,ke dark et kone,, va man, aslan ejaze nemidam, 6 ta sponcer ,az ghebale zahmate man gardaneshun koloft she , va bian, 10 mellion part konan jelom ,man moadele in poolo midam ke rikhteshuno nabinam,,

man daneshi andookhtam ke, hargez inharo nabinam ,va niazi beheshun nadashte basham,,va tu khunam, mitunam kary ro, product konam , be quality e kary ke ,tu hollywood , ba companie 1000 nafar anjam shode ,, ama miduni che dahani azam service shode ?? man inkaro nemikonam, chon to in fahmo nadary ke, koochektarin kary ke mituni bokoni ro befahmi hata ,, INKE KARE MANO COPY NAKONI ,,

miduni man be onvane ye , moalem, bish az har kesse dige , noskhehaye ,efareshi az karaye doostam, (mennat gozashtan bar saram) dashtam,, ama dar penhan raftam, va tamame un cd haro kharidam,,in komak nist in hade aghale vazifas dar ghebale un hame zahmat 

shoma fekr mikonin ba kia tarafin ,, baro bache rock , ye mosht motreb nistan ke, kary konan ke to kooneto becharkhuni ke hot she (then somebody ,,,,,,) sorry bara biadabi ,,ama khunam be joosh miad az bifarhangy e , mardomani ke atrafam hastan, va in shamele, hamin adamayee ham mishe ke, khodeshun ,morede zolman va in ghebahat dare 

man na az didgahe ehsasat na az didgahe , eeteghadat , harf nemizanam, ye chiz e manteghio o 2 2 4 , daram migam,, agar u bara filmi ke mibini, bara music i ke mishnavi , pay nakoni, bara concert ke miri va gheire ,,hargez va abadan, na concerty khahad bud na albumi na, hich ashghali,,, uknow, pas inayee ke hastan chian?? a piece of shit ,, low quality ,,un vaaze filmamune un music ,,chon hame va hame va hame fekr mikonan ke agar digarano gharat nakonan, ya sareshun kolah rafte ya, zerang nistan,, 

hey ablah, ba u am ,to zerang nisty,barax, kheili ahmaghi ,chon in vagheyate sade ro nemibini , ke agar ma aghab oftadeyeem, agar ,keifiate khubi tu hichimun nist , hasele in bifarhangye ,to az un midozdi un az to va hame dastetun tu jibe unyeki e,, olagh , bia, zahmat bekesh va mamlekate khodeto bala bekesh ,,chon man budam va didam dar hame jaye donya ma irani ha behtarin hastim,, ama tu ye keshvare khareji, in taasof avare ,,man na , mihan parastam,, va vatanam ro jayee dige midunam, unja ke shekl gereftam,, va dar kol tanha chizi ke daram ine ke begam man ru koreye zamin zendegy mikonam va asheghesham, vali taasofam, bara ine ke ,ghesmaty az un, damash inghadar havaseshun be lataelat parte ,inghadar partan o tu baghalia zendegy mikonan , ke faramoosh kardan, zendegy yani chi, wow gahi faghat mitunam be in hemaghat inghadar bekhandam ke , hali ro ke to az man o amsale man gerefty o 100 barabaresho begiram ama why , pas u chi ???

az adabiate bekarbordam tu in section e akhar , tebghe maamool ozr nemikham, jamaaty ke ruye sokhanam ba unhast ,hame faghat in adabiato mifahman, va man bara fahme behtar inkaro kardam, bashe , ke agar yeki fahmid, vazifash bedune , ke be 2 nafar dige , befahmune ,, va man omidvaram in tasaode binary, moshkele maro hal kone 

man sokhane dele, kheiliaro goftam, az janebe , MAN, dar hali ke in mane noyeeam , anyway vaghty koochooloo budam, safar haye ziady dashtam, va vaghty miumadim iran, man delam migereft ,,engar inja tabieed shodam ke sakhte sham ta yekio peida konam ,,,va dalilesh az , dide cheshmaye , bacheguneye man miduni chi bud ,,,man tu usa borjayee mididam, ke tu asemun mahv mishan ,,zibayee e khiabuna, mardome shad ,,miumadam iran,, divar haye ajory ,ke hezar sale hanuzam hamun sheklan ghamo ghoseye faravuni miavord,,ba adamayee ke ba dargir kardane khodeshun dar mozakhrafaty ke be esme maanaviat , faghatdar tanbali be sar mibaran va mordehayek rah miran 

ba zehne bacheguneye khodam migoftam hatman babate in hame zibayee o azemat kar surat pazirofte va babate in , birikhty , tanbali ,,,,

bozorgtar ke shodam, fahmidam ke un mellat , ke shoma faryade marg bar , beheshun bar miarin ,,mage cheghadar tarikh dashte ?? hata be 300 sal ham nemirese ama edeaye 7000 saleye ma, koja o, 200 sal koja ,,

servate ma koja ,,, ey ahmaghi ke fekr mikoni mohro, dagh koni bezary ru suratet , va ehteram be dast miary , to tahe jahanami, chon ham dozdi mikoni, ham male bache yatim mikhory va man sabet mikonam dar tamame aamalet , be vuzuh 2 2 ta 4 tayee hast ke sabet mikone ke, unche ke to mikhory , harume mahze ,,, vali un ensani ke to heivan mikhanish , inghadar fahm dare , ke haghe ,digary ro nakhore bara nafse kar , va besiar pak tar az to o amsale to zendegy mikone,, jeloe gharizeye hich kasam nemigire,, hargez nemiad bege amvaj i ke , khode tabiat o khoda khalgh karde, chizi harame, va va va ,,, va ada o usul ,va tanbali ,va suzundane pooste khodet ,bara show up, che nist 

hameye shoma tahte taasire farhangy hastid, ke hargez yek baram ke shode be arzeshe un fekr nakardin,,va kasif tarin noghteye jahanam ALREADY tush hastin ,, khabar nadarin

anyway hameye inha, az unjayee sarcheshme migire ke meyar harfo edea bashe ta ammal,, to edea mikoni , va amalet chizi dige mige ,,agar , jaye harf zadan faghat amal konid, hargez in moshkelat ro nakhahid dasht ,,har gez, amsale kessani ke , behtarin haye donya hastan va iranian, nemikhan ke daar beran va jayee dige zendegy konan, ta az to o amsale to ke pa ru dome digaran mizary, va azar midi, raha bashan ,

kami fek konin bebini chi goftam ,,hamin /serfe boede ejtemayee va hargez nagu man bokonam, baghiye ,,, har majmooeyee az aazash sakhte shode ,,deine man, dar in hade, ke tu classam tu har ja ke mitunam , be tarighi, in vazehat ro begam, u ham agar fahmidi, in dein be gardanete

by hamid reza edalat nejad

Secoundary Dominants (list And Notes)


Secoundary Dominants In C (major,Minor)
 
 
 
I : C                                        (V7/IV) =C7 (parentheses chord)
 
ii : Dm                                   (Viio/III) : Do (V/V) : D
 
iii : Em                                    V/VI : E
 
IV: F                                        (V7/Vii) : F7 (parentheses chord)
 
V : G
 
VI : Am                                   (Viio/Vii) : Adim (V/II) : A
 
VII : B o                                             V/iii : B
 
 
 
All the chords of C minor And secoundary Dominants
 
 
 
 
i : Cm                                     (V7/IV) = C7 (parentheses chord)
 
iio : Ddim                               (Vii/III) : D dim
 
III : Eb                                              (V/VI)(V7/VI):Eb7(parentheses   chord)                                                                        
 
iv : Fm                                      (V/Vii) : F,((V7/Vii) : F7(parentheses chord)
 
V : G (also V/I)  v: Gm
 
IV : Ab                                             (Vii/Vii)Abdim
 
VII : Bb                                            (V7/III)  Bb7 (parentheses chord)

Dominant Chords, Are Always Appear As One Of  Three form of  ,V,V7,Vii/v Or As
uncompleted Dominant seventh (without Root),As In VII (leading tone triad) of major Bdim (=G7 – G)
 
 
 
Four dominant 7th derived from major triads are included in parantheses ,because their parent triad cannot readily be understood as having Secondary-dominant Function unless the 7Th is present

 
As in C major ,The chord C = i and cant be heared as V/IV unless C7 (the minor 7th degree is not in C major ) played
 
NOTE : The Diminished triad forms of II and VI in the minor mode can be interpreted as Incomplete__Secondary__Dominants just az VII in major.
 
 
 
None Of These iIncomplete_Sevenths ,Hoever,Can serve as Secondary Tonic ,And Their Dominant is not Available
 
 
 
 
The Major triad on VI in the minor mode is sometimesused,as well as its seventh chord as the dominant of the chromatically Lowered SUPERTONIC , or NEAPOLITAN Sixth

جواب کامنتی که خود بلاگ شد ،چون ترتیب حروف بهم میریخت


یکی از خواننده های عزیز ،در ۳ مورد (سوال ،شک ،و ایراد ) به صورت خصوصی با من مطرح کردن (من پشت کامپوتر نبودم جواب بدم ولاغیر ،مجبور میکردم سوال رو کامنت اش کنند که اگر برای دیگران هم پیش آمد ،جواب آنها نیز باشد

minoo.p : tu “X/Y : neveshti : agar Y ozve X bashe , noyee bayane maakuse (ie :E/B) vali agar na , kolan ye chorde digast ke deghat kon bara mesal A/G be hich vajh , be A7 rabty nadare , 7 yani 7metr jelo tar na 1 meter aghab tar , va kamelan jense seda fargh dare,,”

 

جواب :
چرا این دو ،با هم بسیار (همانطور که گفتم از زمین تا آسمان با هم فرق دارند ) در صورتی که معکوس سوم یی اصلان وجود خورجی میداشت (که همزمان دارد ،اما من تعریف صرف میبینم ) به صورت

A7/G مینوشتیم ، و در مورد ( A/G ) مورد کاملان متفاوت است

همانطور که قید کردم ،اگر x عضو y (باس نوت ،شامل نت های آکورد میشد ) در این مرد G ,عضو  ( A(A,C#,E نیست

اینگونه موارد ، برای بیان (بسیار دلچسب ،،،من که خود در آهنگسزی ام ،خودم رو دار میزنم با این حرکت یا عکسش ) حالت هایی است که ۳ بخش بالای هارمونی ثابت ، و نوت باس تغیر میکند ،،گاهی واقعن موجب تغیر کورد میشود ،(همچنان ثابت ) گاهی اصلان صحیح نیست ،که اینگونه برداشت شود

برای مثال :
Progression : Am(add9)-Am(9)/G -Am(9)/F

تنها برای کسی که عقده شکلی با کورد ها داره ممکنه (یا به غلط اینطور تعبیر کنه ) به صورت

Am(add9)-Am(9)/G -Fmaj7(#11)

نگارش شود ،که کمتر مورد چنین است ،اگر به حواس خود دقت کنیم ،Am همچنان ،به عنوان یک آکورد موجود (و حتا برگشت این مسیر را ممکن است طلب کند ) و باس بر حسب F=Tonic تغیر نکرده

نکته :مورد کی که اشاره کردم ،هنگامیست که باس ثابت و ۳ بخش بالایی تغیر میکنند

سوال (شک ) ۲ :

man ba ye moredi movajeh shodam ,, bebin in mesalet doroste??

minoo p: “dar mavaredy , momken ast be tartibe 1+3b+5# barbokhorim , ke dar inja tashkile triad nadarim , va root = 1 nist va dar vaghe maakoose chord e digarist va root dar inja 3b ast

ie: be jaye namidan Am(b6), sahih C/E mibash
!!!!!minoo p: tu ghesmate :: how-to-name-a-harmonic-com
plex-uniquename-finglish-versionedited-and-added-examples-old-version”

در ابتدا کم دقتی کردم و گفتن که بله صحیح است ،که در واقع غلط است **و غلط ان ،در C/E میباشد که میبایست جای ان F/A (در واقع غلط اصلی همان C/E بود که جای ان باید F/A )مینوشتم .

**

آخرش باز دیدم درسته و غلط

 

 

Em(b6)

اما از آنجا که مورد C/E که در مثال های نوت ای ،هم قید کرده ام و بسیار مهم است ،آنرا نیز با تغییر Am(b6)o به Am7 توضیح داده ام
(چون در درجه ۲وم اهمیت قرار دارد لطفان در انتها باد از علامت *** مورد C/E که برای توضیح ان تصحیح بهAm7 صورت پذیرفته که مورد مطرح شده در اینجا نیست )

در صورتی که نت های زیر را به ترتیب از باس به بالا داشته باشیم

 

A+C+F+A

بسیاری با دیدن نوت دو که سوم بم ترین نت یعنی لا محسوب میشود ،طبق قاعده آنرا ،بر حسب Tonic=A مینویسند بدون اینکه به ۲ مورد دقت کنند

۱.طبقه قانون ۱ قید شد که اگر نوت یا نوت هایی برای بم ترین نوت یافت شود که به ان تشکیل Triad دهد ، و در بسیاری از مثال ها ما به یکی از درجه های سوم یا پنجم اکتفا میکردیم ، و دیگری را حذف شده میپنداشتیم

اما اینجا ۲ مشکل است ،،اینجا پنجم هم به صورت انهارمونیک موجود است (E#=F) که به ما اجازه نمیدهد ، با این پنجم ترایاد بسازیم ، و طبقه قانون ،که تاکید میکند اگر ۱ نبود ،۲ ، و ۲ به راحتی آنرا آکورد فا ماژور در حالت معکوس دومی میبیند ، که به صورت F/A نوشته میشود

نکته : بسیاری ،ممکن است فکر کنند ،که این همه اصرار ،برای نگارشی همچون F/A دیگه چه سوسول بازی ایه،مثل آدم بنویس F ,حتما باید یجور اسمش ۳ متری بشه ؟

واقعا سوال بجایی است که ،کسی هرگز اینچنین به موزیک (در نوشته ) نگاه نکند ، دلیل این نوع نگارش ، که بسیار کمک کننده در ۲ مورد است ،که با مثال من هر ۲ را توضیح (هر چند ناقص ،بخاطره نیاز به سطحی که هنوز ،برای ارجاع چیزی پست نکرده ام (هر چند وراجی و جزئیات بسیار ،دقیقا همین مساله را بلاگ مربوط به فرمول آکورد ها تا حدی پیچو تاب دا رو با مثال و توضیح داده ام

۱
  ۱در سطح کمک برای اجرای صحیح
آیا تا بحال شده ، از رو نت پینک فلوید  یا هر چیزی ،آکورد رو اجرا و ببینید که اصلا نمیخوره ؟ و هیچ آکورد دیگری هم موجود نیست ،(یا موارد گوشی که ،همچین مشکلی داشته باشید ؟ ) من زمانی خودم (قبل منع کامل ) با ی آکوستیک چند تا آلبوم سیار بودم که میزدم میخوندم و در اون سن ،همچین موردی منو آزار میداد

دلیل اینه که کورد صحیح ، فقط معکوس صحیح یی از اون گرفته نمیشه ،،اگر در ویدئو های من بداهه نوازی  با با خاصیت صدایی اتصال کامل ،اما  بسیار شیک و ،دور از دسترسی یافتید بدونید که ،غیر از اینکه در لحظه حال ،روح قصد به شنیدن صدایی خاص میکنه که تسلط علمی(در سطح حرفه ای عملی کلمه صحیح است ) اونرو در هزارم ثانیه به اکوردی خاص که اگر اجرا شه ،اون قصد شنیدن ارضا شه ،،موردی بس پیچیده تر رو هم محاسبه میکنه ، و ونهم اینکه ، وابسته به شکل هر چند پیچیده کنونی (که تنها کورد اول اختیاری ) ولی بسته به ان، بعدی و بعدی ،ان باید ،تابع شکل بودنی خاص باشه که هرگز با حفظ و این حرفها نمیشه ،اونرو اجرا کرد ، بلکه در لحظه، ساخته ،و اجرا ،،،،و فراموش میشه

اگر چه این موارد کاملا از درون سکوت درونی محض بدون هیچ اندیشه یی انجام میپذیرند (شاید ۲۰ سالی باید رو قدرت محاسبه مغز حساب باز کنی چون تعلیم جسم به این سادگی ها نیست ،، به هر حال همینطور که من یک بلاگ را ،(تمام نوشته هم رو ، در کمتر از ۰ ثانیه فکر میکنم ،،برای نوشتن ،باید ساعتها وقت بزارم، و هرگز هم بیش از ۳ خط اون نیست که ،منبع مطلبی باشه که هیچ ربطی مستقیم به اون ۳ خط نداره ،،این اداتیست که جبر زمانه به آدم آموزش میده ،،، و مبحثی که از ان صحبت کردم، به نام وصل ،(گاهی مورد حل به آکورد بعدیست که دو مورد جداست) ولی هر ۲ ،به معنی اتصالی که بهترین و روان ترین صدا را ایجاد کند (در مورد حل ،مورد رسیدن به ارضا و ارگاسمی هست که شنونده انتظار آنرا دارد ، و همچنین ، نیاز رسیدن ملودی و هارمونی به ثبات ، که ،کنش اصلی ،حرکت در زمان مابین ،نیاز به حرکت یا یستایست ،که این دانش به حل و اتصال روان به وصل مربوط است که ان نیز به ترتیب ای صحیح ،از ترکیب نت ها نیاز دارد

از این روی ،در هارمونی (نت ها هرگز به ما چیزی نمیگویند ، برای اینکه از آنها حرف کشید باید شکنجه شوند این شکنجه در هر دو مورد ملودی ،یا آکورد (هارمونی ) نسبت ایست که با فواصل ،سنجیده میشود ، و در آکورد ها نیز با قید درجه ریشه آکورد به صورت  اعداد یونانی *قابل برسی و مطالعه و شکنجه ای که هر چه در باره خود دارد رابیان کند که نماد ها به صورت
*Roman Numberings
I-II –…VII

در گام ماژور آکورد های ساخته شده در درجات (تونالیته ) اول و ۴م و پنجم 

I-IV-V

ماژور و در درجات

 

II—III-VI

مینور
و در درجه ۷ ام
VII : Diminished

در مینور نیز ۱۴۵ عین خود مد مینور ،و  ۳۶۷ ماژور
و درجه ۲ وم  کاسته میباشد

توجه کنید که ،وقتی نام مینور ،آورده میشود ،بیشتر منظور مد مینور ملودیک که مدی بسیار پیشرفته و دارای ۱۳ تریاد است ، و در بالا ،آنچه که من قید کردم ،مد مینور طبیعی که مدی از زمان های قدیم با نام اصلی

AEOLIAN

که از قرن ۱۷ به این طرف با نام مینور و ماژور ای که تحت هیچ شرایطی ،هیچ چیزی ،بهتر یا پوشا ،،نسبت به مد های دیگر که عملا حذف میشوند ندارند ،همچنین مد های مشتاق شده از هارمونیک مینور ،که اگر نباشند که نصف رنگ هارمونیک ،رو از دست میدیم ، و در مواردی ،مد های  مینور ملودیک بالا رونده ،نیز ،منبع آلی برای گوشهای

خسته از ماژور ،مینور ،… اند

 
اما در کنار آنها همواره علائمی میبینیم نظیر

I46

روی هم قرار دارند ،،که این الائم ،ضروری اند و عین فال حافظ ،کتاب هارمونی در هر جا باز شود غیر این الائم که بارها و بارها ،آورده شود ، فواصل اند که مبنای بحث اند و از این جهت فواصل حکم الفبا دارد

در انتها ،اسم کتاب هارمونی ،آوردم، انگار ،بیش از یکی هم وجود دارد ،تمام آنها چرتو پرتی بیخود است ،اما غنی ترین منبع که انصافا بینظیر ،منطقی ،،و بینهایت هنرمندانه نوشته شده ،و البته (اصلا شوخی نمیکنم ،من فارسی اونرو نمیفهمم ،  نه  اینکه سخت میفهمم ،یا ،چی ،،اولا نمیدونم که ۶۰۰ صفحه کتاب پر محتوا ،چطور ،شده ۴ میلیمتر کتاب ،ثانیا اون ساده نویسی ،اینکه کتاب رو از هر جاش باز کنی ،مطالب کوتاه و آلی با هر ثانیه هشدار که هارمونی ،دانشیست که به اینکه گذشتگان چگونه موسیک را اجرا کرده اند ، نه اینکه چطور موسیک باید زده شود

چون آقای والتر پیستون سال ۴۸ فوت کردند ،در ان زمان ،(آنطور که من درونشان را حس میکنم ) شاهد موسیک های خارق العاده ،ای نظیر جز ،،دودکا فونیک ،،، و خیلی مسولانه ، در مورد اینکه مبادا دید ای تحمیلی ،مانع از این شود که چنین چیزهایی ایجاد شوند ،و خیلی کتاب رو با دقت در حرفی که تو کتت اگر منطقی میره

،باز بدونی که میتونه غیره منطقی هم غیر این باشه ،و عالی نوشته

و شاگردانش ،تا ساله ۱۹۸۵ ،۶ فصل ،به چاپ ۵م ان اضافه کرده اند که شامل همه جور دید امروزی شود

حمید رضا عدلت نژاد 

****

مثال

E-G-C-E

امکان دارد کسی با کم دقتی هنگام نام گذاری ،نت های به ترتیب

اشتباه کردم درست است

 

که بر حسب نوت می ،سوم ای که یافته (نوت سل :سوم کوچک ) آنرا بر حسب E نام گزاریکند ، بی توجه به اینکه ،

B#=C

و با ترکیب سوم کوچک و پنجم افزوده نمیتوان تشکیل تریاد داد

1+3b+5# = NOTHING

لذا نام ان  

C/E 

  و 

Em(b6)

به هیچ طریق صحیح نیست

همینطور اگر آنرا لا مینور هفت با فرض حذف نته پایه ببیند ،استنباطی غلط است